I love seeing things that work in the micro and work in the macro.

Fondness for people can be terrifying, because it's intangible and it can disappear, or it can be taken away, or you can say the wrong thing. A million things, so it's so uncomfortable. So when you suddenly become aware of it because they don't call you or something for half an hour or whatever, you lose it.

I'm a painter, I'm an artist. I take things too far sometimes. I really need some comfort.

All I want to do is realism and follow the tradition of realism. And explore what realism should be now be after the ubiquity of smartphones. I'm trying to answer the question. I don't think I'll ever have the words, but hopefully I'll have a few images.

We're making so many images today and it's unbelievable. I shoot stuff all the time. I try to figure a lot out before I paint. I do a tremendous amount of shooting.

The advent of the digital age and the immediacy and convenience of digital video and photography allows people to become an integral part of the feedback loop which actively shapes the content we are fed.

I started getting afraid of dying. I don't have any religion and I wanted to understand something about these greater powers without anthropomorphizing it.

There's the people who have one of these cell phones in their pockets and don't have a clue how it's made. But I really want to understand.

When we as a society lose the ability to comment on what we see and to have an opinion on what we are exposed to, then we have all lost what makes us unique on this planet.

Photorealism says: to fool your eye. That isn't what I've been interested in doing.

I try to write art theory down and understand it but I'm not a writer. I don't want to impress people with my writing. I'd rather impress people with my ability to see and feel it and then share that.

Every single painting is different. I'm always trying to figure out what I'm interested in. Usually when I go through and I make the collages or the images for ideas that I want to paint, it's like an Ouija board. Each painting I do is trying to understand what the hell I'm looking at, or want to look at.