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Rippling, rippling, rippling, like a flapping overlapping of soft flames, soft as feathers, running to points of brilliance, exquisite, exquisite and melting her all molten inside.

D. H. Lawrence

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D. H. Lawrence
Age: 45 †
Born: 1885
Born: January 1
Died: 1930
Died: January 1
Literary Critic
Novelist
Painter
Playwright
Poet
Screenwriter
Translator
Writer
Eastwood
Nottinghamshire
David Herbert Lawrence
Lawrence H. Davison
D.H. Lawrence
D. H. Lorenss
D. G. Lourens
David Herbert Richards Lawrence
D. H. David Herbert Lawrence
Running
Melting
Like
Sensual
Exquisite
Feathers
Rippling
Flames
Molten
Soft
Flapping
Points
Overlapping
Inside
Brilliance

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It's hard to ravish a tin of sardines.
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The novel is the one bright book of life. Books are not life. They are only tremulations on the ether. But the novel as a tremulation can make the whole man alive tremble.
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That's just what a woman is. She thinks she knows what's good for a man, and she's going to see he gets it and no matter if he's starving, he may sit and whistle for what he needs, while she's got him, and is giving him what's good for him.
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Marriage is the clue to human life, but there is no marriage apart from the wheeling sun and the nodding earth, from the strayingof the planets and the magnificence of the fixed stars.
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They say the sea is cold, but the sea contains the hottest blood of all, and the wildest, the most urgent.
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Never trust the artist. Trust the tale. The proper function of the critic is to save the tale from the artist who created it.
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We are so overwhelmed with quantities of books, that we hardly realise any more that a book can be valuable, valuable like a jewel, or a lovely picture, into which you can look deeper and deeper and get a more profound experience every time.
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The word arse is as much god as the word face. It must be so, otherwise you cut off your god at the waist.
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The # cosmos is a vast living body, of which we are still parts.
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Try to find your deepest issue in every confusion, and abide by that.
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All this Americanising and mechanising has been for the purpose of overthrowing the past. And now look at America, tangled in her own barbed wire, and mastered by her own machines.
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If only I am keen and hard like the sheer tip of a wedge Driven by invisible blows, The rock will split, we shall come at the wonder, we shall find the Hesperides.
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To penetrate into Italy is like a most fascinating act of self-discovery-back, back down the old ways of time. Strange and wonderful chords awake in us, and vibrate again after many hundreds of years of complete forgetfulness.
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At a wavering instant the swallows gave way to bats By the Ponte Vecchio . . . Changing guard.
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I don't believe any more in democracy. But I can't believe in the old sort of aristocracy, either, nor can I wish it back, splendid as it was. What I believe in is the old Homeric aristocracy, when the grandeur was inside a man, and he lived in a simple wooden house.
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The great pagan world of which Egypt and Greece were the last living termsonce had a vast and perhaps perfect science of itsown, a science in terms of life. In our era this science crumbled into magic and charlatanry. But even wisdom crumbles.
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We are dying, we are dying, piecemeal our bodies are dying and our strength leaves us, and our soul cowers naked in the dark rain over the flood, cowering in the last branches of the tree of our life.
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If a novel reveals true and vivid relationships, it is a moral work, no matter what the relationships consist in. If the novelisthonours the relationship in itself, it will be a great novel.
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Myth is an attempt to narrate a whole human experience, of which the purpose is too deep, going too deep in the blood and soul, for mental explanation or description.
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A museum is not a first-hand contact: it is an illustrated lecture. And what one wants is the actual vital touch.
D. H. Lawrence