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I feel that Pride and Prejudice is an incredibly well constructed novel on every level. The dialogue is great. The character development is great. The plotting is great. The pacing is great. The language is great.

Curtis Sittenfeld

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Curtis Sittenfeld
Age: 49
Born: 1975
Born: August 23
Author
Novelist
Teacher
Writer
Cincinnati
Ohio
Elizabeth Curtis Sittenfeld
Elizabeth Sittenfeld
Novel
Pacing
Language
Constructed
Character
Incredibly
Well
Dialogue
Feel
Prejudice
Great
Pride
Every
Level
Development
Plotting

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I have this theory that the likeability question comes up so much more with female characters created by female authors than it does with male characters and male authors
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People who think my books are autobiographical, which they're not, credit me with having a much better memory than I do. I do, however, have a powerful imagination
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She has always been a bystander in family destruction, never realizing she herself possessed the capacity to inflict it.
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I wanted to hold happiness in reserve, like a bottle of champagne. I postponed it because I was afraid, because I overvalued it, and then I didn't want to use it up, because what do you wish for then?
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I always worried someone would notice me, and then when no one did, I felt lonely.
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You know, the point of a novel - or to me, the point of a novel, the gift of a novel is to go really deeply inside people's lives and inside their personal experiences.
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I had the fleeting thought then that we are each of us pathetic in one way or another, and the trick is to marry a person whose patheticness you can tolerate.
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I just like to inhabit a character really deeply.
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I don't really have special rituals, but I don't try to write fiction unless I have a minimum of a few hours. For me, it takes a while to settle into a mode where I'm truly concentrating
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I feel like people who criticize authors for being self-promotional fail to recognize that a lot of times their ability to continue writing hinges on sales and recognition. Some of it is for fun, some of it is for ego, but a lot of it is just writers trying to ensure longevity to their career.
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To remain alone did not seem to me a terrible fate, no worse than being falsely joined to another person.
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At that time in my life, no conclusion was a bad conclusion. Something ended, and you stopped wishing and worrying. You could consider your mistakes, and you might be embarrassed by them, but the box was sealed, the door was shut, you were no longer immersed in the confusing middle.
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I've had people say very dismissive things about my books, but I also feel like I probably have more readers because I'm a woman. I mean, more readers are women and more people who buy books are women, so I don't feel like it's a total disadvantage to be a female writer.
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My boarding school experience was the only thing I had strong enough feelings to write about for hundreds and hundreds of pages. I can still smell the formaldehyde of the fetal pigs in biology.
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I think that there's some confusion in my own mind about what I believe.
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I think I write what's interesting to me, and so if I'm reading I like to have a very thorough idea of a character in a book that's by someone else.
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I guess because twins have this mystique, and triplets - I think the normal sibling connection potentially can be very powerful, and there's this idea that it's even more powerful. It really is, not just someone like me, but another version of me.
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I gave people the benefit of the doubt, thinking, so many people that appear very calm and even boring must have all these wild emotions and crazy ideas.
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She nodded, jotting something in her notebook. You’re writing that down? Has the interview started?” Lee, whenever you’re talking to a reporter, you’re being interviewed.
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I wanted my life to start - but in those rare moments when it seemed like something might actually change, panic shot through me.
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