Quote

If you knew where your happiness came from, it gave you patience. You realized that a lot of the time, you were just waiting out a situation, and that took the pressure off you no longer looked to every interaction to actually do something for you.

Curtis Sittenfeld

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Curtis Sittenfeld
Age: 49
Born: 1975
Born: August 23
Author
Novelist
Teacher
Writer
Cincinnati
Ohio
Elizabeth Curtis Sittenfeld
Elizabeth Sittenfeld
Came
Realized
Waiting
Pressure
Happiness
Looked
Actually
Gave
Every
Took
Something
Longer
Time
Knew
Interaction
Situation
Patience

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In life we're most hell-bent on proving things that we're not really sure are true.
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The best part of being a writer for me is immersing myself in a fictional world, which is the opposite of being on social media. At the same time, if no one ever read my work, if I was writing solely for myself, I bet it would be lonely and a lot less fun.
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Before and after... I heard a thousand times that a boy, or a man, can't make you happy, that you have to be happy on your own before you can be happy with another person. All I can say is, I wish it were true.
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I gave people the benefit of the doubt, thinking, so many people that appear very calm and even boring must have all these wild emotions and crazy ideas.
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I guess I consider myself at times to have intuition.
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Personally, I have never wished I were a male novelist.
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I do think I was trying to entertain the reader more than I was trying to purge myself.
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I guess because twins have this mystique, and triplets - I think the normal sibling connection potentially can be very powerful, and there's this idea that it's even more powerful. It really is, not just someone like me, but another version of me.
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After I’d told her – the mall, the taxi, Cross stroking my hair – she said, ‘Did he kiss you?’ ‘John and Martin totally would have seen that,’ I said, and as I felt myself implying the circumstances had prevented our kissing, I thought maybe this was why you told stories to other people – for how their possibilities enlarged in the retelling.
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Ordinarily, of course, I thought it best to remain inconspicuous, but the gesture had a certain irresistable theatricaility, and an inevitablility. Sometimes you can feel the pull of what other people want from you, and you sacrifice yourself, you risk seeming odd or sunsavory, to keep them entertained.
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I wanted to hold happiness in reserve, like a bottle of champagne. I postponed it because I was afraid, because I overvalued it, and then I didn't want to use it up, because what do you wish for then?
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I'm SO trying to give up meat.
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At that time in my life, no conclusion was a bad conclusion. Something ended, and you stopped wishing and worrying. You could consider your mistakes, and you might be embarrassed by them, but the box was sealed, the door was shut, you were no longer immersed in the confusing middle.
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I don't really have special rituals, but I don't try to write fiction unless I have a minimum of a few hours. For me, it takes a while to settle into a mode where I'm truly concentrating
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Well, I think in my first two novels, both the characters are pretty neurotic, which I would say that I am.
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She has always been a bystander in family destruction, never realizing she herself possessed the capacity to inflict it.
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People who think my books are autobiographical, which they're not, credit me with having a much better memory than I do. I do, however, have a powerful imagination
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To remain alone did not seem to me a terrible fate, no worse than being falsely joined to another person.
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I always worried someone would notice me, and then when no one did, I felt lonely.
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She nodded, jotting something in her notebook. You’re writing that down? Has the interview started?” Lee, whenever you’re talking to a reporter, you’re being interviewed.
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