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Here [in Wonder Boys] I had this group of characters where you didn't know which were the important ones or what direction they were heading.

Curtis Hanson

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Curtis Hanson
Age: 71 †
Born: 1945
Born: March 24
Died: 2016
Died: September 20
Comedian
Film Actor
Film Director
Film Producer
Screenwriter
Reno
Nevada
Curtis Lee Hanson
Boys
Wonder
Heading
Didn
Headings
Character
Direction
Important
Group
Characters
Groups
Ones

More quotes by Curtis Hanson

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Put simply, there are many people who want to make movies and very few opportunities for them to do it.
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On a personal note, a legacy he left me, aside from being a friend who was important to me on many levels, was that the decades I knew Sam [Fuller] happened to be the decades that were his least happy professionally.
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A day doesn't go by when I don't get a compliment on L.A. Confidential, for example.
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I approach the movies I make as a movie-lover as much as a movie-maker.
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I grew up as a reader as well as a movie-lover, so many of the novelists I admired - and so many of the great filmmakers I loved - were self-taught.
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Hollywood, of course, is the city of illusion.
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Bad Influence, which is an early movie of mine that I'm very fond of. It was an unhappy experience when that picture got released, because it coincided with that ridiculous Rob Lowe videotape scandal.
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I wrote a couple of scripts on spec that didn't get made but got some attention, and I then got offers to write professionally.
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So it's discouraging and, yet, when you make a movie like Wonder Boys, in a sense it's its own reward, because it does move people, it gets great reviews, and it becomes part of that library of movies that exist out there. As time goes by, it will find its audience.
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Self-awareness and self-esteem. Those aren't female issues, those are human issues.
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I didn't look at it as a transition so much, because I never intended to have a career as a journalist, writing about people who make movies.
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Consequently, their school [film-school ] was the school of life, and it was very much reflected in their work.
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So the city [Pittsburgh] was faced with that question of What to do now? because it can't turn back the clock and be what it once was. So thematically, it seemed like the perfect location for the movie. And then, it's a matter of how we get that feeling into the picture and make it a part of [Michael] Chabon's story.
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As ridiculous as it is for anybody who knows how movies are made, there were people who actually wrote in reviews that this picture [Bad Influence] had been put out to capitalize on the scandal. Which, of course, would have been impossible.
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That love of movies is very much alive in me.
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I don't think of the marketplace as teen-oriented or teen-dominated. I think of it as dominated by high-concept, in marketing especially.
Curtis Hanson
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What you care about [movie] is whether it's moving you, or whether you're caught up in it.
Curtis Hanson
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I had written the script a few years earlier for Paramount, then later got hired with Sam [Fuller] to write an entirely new script that he was going to direct. And that was one of the great thrills of my professional life.
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I can't speak to how Michael [Douglas] approached it in terms of his process.
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In L.A. Confidential, it was great to surprise the audience with Guy Pearce and Russell Crowe - two Australian actors that they didn't know at all - and let people discover them through the course of the film.
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