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I don't think of the marketplace as teen-oriented or teen-dominated. I think of it as dominated by high-concept, in marketing especially.

Curtis Hanson

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Curtis Hanson
Age: 71 †
Born: 1945
Born: March 24
Died: 2016
Died: September 20
Comedian
Film Actor
Film Director
Film Producer
Screenwriter
Reno
Nevada
Curtis Lee Hanson
Marketing
Concept
Concepts
Especially
High
Teen
Think
Dominated
Thinking
Oriented
Marketplace

More quotes by Curtis Hanson

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Now, grosses are listed in the newspapers and on television like it's a sporting event. It's ridiculous, because when you're watching a movie, unless you're an investor in the movie or a stockholder in the studio, what do you care how much it's grossing or how much it cost or any of that stuff?
Curtis Hanson
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So it's discouraging and, yet, when you make a movie like Wonder Boys, in a sense it's its own reward, because it does move people, it gets great reviews, and it becomes part of that library of movies that exist out there. As time goes by, it will find its audience.
Curtis Hanson
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That love of movies is very much alive in me.
Curtis Hanson
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Consequently, their school [film-school ] was the school of life, and it was very much reflected in their work.
Curtis Hanson
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I can't speak to how Michael [Douglas] approached it in terms of his process.
Curtis Hanson
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I grew up as a reader as well as a movie-lover, so many of the novelists I admired - and so many of the great filmmakers I loved - were self-taught.
Curtis Hanson
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The challenge was the opportunity. When I read the first draft of Steve Kloves' fabulous adaptation - I hadn't read [Michael] Chabon's book at that time - what I was immediately captivated by was this group of characters that were at once so engaging and so messed up.
Curtis Hanson
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I thought, If I could bring these characters [Wonder Boys] to life and lead the audience to react the same way I did, this could be a really special picture. Then I read Michael's [Chabon] novel and got even more enthusiastic about it.
Curtis Hanson
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First of all, Sam Fuller left a group of extraordinary movies that are unique, that are Fuller-esque, as one might say, which makes them stand apart from any other director's films.
Curtis Hanson
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I didn't look at it as a transition so much, because I never intended to have a career as a journalist, writing about people who make movies.
Curtis Hanson
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It was a unique experience in several ways, because I don't think Sam [Fuller] had ever collaborated with another writer over his whole career.
Curtis Hanson
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I stopped doing that [photojournalism] and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money. Even for a cheap movie, you need film stock and equipment and actors.
Curtis Hanson
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Consequently, it's so gratifying to then make a picture that's successful and gives you leverage to have better circumstances than you've ever had, before the next time out.
Curtis Hanson
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Here [in Wonder Boys] I had this group of characters where you didn't know which were the important ones or what direction they were heading.
Curtis Hanson
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I had written the script a few years earlier for Paramount, then later got hired with Sam [Fuller] to write an entirely new script that he was going to direct. And that was one of the great thrills of my professional life.
Curtis Hanson
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Self-awareness and self-esteem. Those aren't female issues, those are human issues.
Curtis Hanson
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In L.A. Confidential, it was great to surprise the audience with Guy Pearce and Russell Crowe - two Australian actors that they didn't know at all - and let people discover them through the course of the film.
Curtis Hanson
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What you care about [movie] is whether it's moving you, or whether you're caught up in it.
Curtis Hanson
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When I first went to Pittsburgh, I had never been there before, and we hadn't even decided to shoot there yet. I just went to see the location of Michael Chabon's novel. Once there, I became aware that Pittsburgh is a wonder boy, in the narrow sense of the term, just as the human characters are.
Curtis Hanson
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On a personal note, a legacy he left me, aside from being a friend who was important to me on many levels, was that the decades I knew Sam [Fuller] happened to be the decades that were his least happy professionally.
Curtis Hanson