Quote

When I first went to Pittsburgh, I had never been there before, and we hadn't even decided to shoot there yet. I just went to see the location of Michael Chabon's novel. Once there, I became aware that Pittsburgh is a wonder boy, in the narrow sense of the term, just as the human characters are.

Curtis Hanson

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Curtis Hanson
Age: 71 †
Born: 1945
Born: March 24
Died: 2016
Died: September 20
Comedian
Film Actor
Film Director
Film Producer
Screenwriter
Reno
Nevada
Curtis Lee Hanson
First
Went
Hadn
Even
Wonder
Shoot
Never
Term
Aware
Sense
Became
Character
Characters
Pittsburgh
Firsts
Decided
Location
Human
Novel
Narrow
Humans
Boys
Michael

More quotes by Curtis Hanson

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I approach the movies I make as a movie-lover as much as a movie-maker.
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As ridiculous as it is for anybody who knows how movies are made, there were people who actually wrote in reviews that this picture [Bad Influence] had been put out to capitalize on the scandal. Which, of course, would have been impossible.
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I wrote a couple of scripts on spec that didn't get made but got some attention, and I then got offers to write professionally.
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I don't think of the marketplace as teen-oriented or teen-dominated. I think of it as dominated by high-concept, in marketing especially.
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Consequently, it's so gratifying to then make a picture that's successful and gives you leverage to have better circumstances than you've ever had, before the next time out.
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Consequently, their school [film-school ] was the school of life, and it was very much reflected in their work.
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I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers.
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I can't speak to how Michael [Douglas] approached it in terms of his process.
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It was a unique experience in several ways, because I don't think Sam [Fuller] had ever collaborated with another writer over his whole career.
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I had written the script a few years earlier for Paramount, then later got hired with Sam [Fuller] to write an entirely new script that he was going to direct. And that was one of the great thrills of my professional life.
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I didn't look at it as a transition so much, because I never intended to have a career as a journalist, writing about people who make movies.
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Now, grosses are listed in the newspapers and on television like it's a sporting event. It's ridiculous, because when you're watching a movie, unless you're an investor in the movie or a stockholder in the studio, what do you care how much it's grossing or how much it cost or any of that stuff?
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On a personal note, a legacy he left me, aside from being a friend who was important to me on many levels, was that the decades I knew Sam [Fuller] happened to be the decades that were his least happy professionally.
Curtis Hanson
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Having done several of them and also loving other kinds of movies, I'm also tougher on suspense stories in terms of finding one that really excites and surprises me.
Curtis Hanson
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First of all, Sam Fuller left a group of extraordinary movies that are unique, that are Fuller-esque, as one might say, which makes them stand apart from any other director's films.
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A day doesn't go by when I don't get a compliment on L.A. Confidential, for example.
Curtis Hanson
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In L.A. Confidential, it was great to surprise the audience with Guy Pearce and Russell Crowe - two Australian actors that they didn't know at all - and let people discover them through the course of the film.
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Bad Influence, which is an early movie of mine that I'm very fond of. It was an unhappy experience when that picture got released, because it coincided with that ridiculous Rob Lowe videotape scandal.
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There was a long period of time when Sam Fuller had a lot of projects fall through and had a lot of difficulties getting a project off the ground. And I was able to observe him during that period, and see his incredible resiliency and courage as he faced this difficulty and just kept working.
Curtis Hanson
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That love of movies is very much alive in me.
Curtis Hanson