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First of all, Sam Fuller left a group of extraordinary movies that are unique, that are Fuller-esque, as one might say, which makes them stand apart from any other director's films.

Curtis Hanson

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Curtis Hanson
Age: 71 †
Born: 1945
Born: March 24
Died: 2016
Died: September 20
Comedian
Film Actor
Film Director
Film Producer
Screenwriter
Reno
Nevada
Curtis Lee Hanson
Film
Directors
Might
Films
Firsts
Unique
Esque
First
Groups
Fuller
Movies
Director
Stand
Apart
Left
Extraordinary
Makes
Group

More quotes by Curtis Hanson

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I can't speak to how Michael [Douglas] approached it in terms of his process.
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So it's discouraging and, yet, when you make a movie like Wonder Boys, in a sense it's its own reward, because it does move people, it gets great reviews, and it becomes part of that library of movies that exist out there. As time goes by, it will find its audience.
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Put simply, there are many people who want to make movies and very few opportunities for them to do it.
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Consequently, it's so gratifying to then make a picture that's successful and gives you leverage to have better circumstances than you've ever had, before the next time out.
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It was a unique experience in several ways, because I don't think Sam [Fuller] had ever collaborated with another writer over his whole career.
Curtis Hanson
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I approach the movies I make as a movie-lover as much as a movie-maker.
Curtis Hanson
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I had written the script a few years earlier for Paramount, then later got hired with Sam [Fuller] to write an entirely new script that he was going to direct. And that was one of the great thrills of my professional life.
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I grew up as a reader as well as a movie-lover, so many of the novelists I admired - and so many of the great filmmakers I loved - were self-taught.
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That love of movies is very much alive in me.
Curtis Hanson
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What you care about [movie] is whether it's moving you, or whether you're caught up in it.
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I didn't look at it as a transition so much, because I never intended to have a career as a journalist, writing about people who make movies.
Curtis Hanson
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The challenge was the opportunity. When I read the first draft of Steve Kloves' fabulous adaptation - I hadn't read [Michael] Chabon's book at that time - what I was immediately captivated by was this group of characters that were at once so engaging and so messed up.
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I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers.
Curtis Hanson
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So the city [Pittsburgh] was faced with that question of What to do now? because it can't turn back the clock and be what it once was. So thematically, it seemed like the perfect location for the movie. And then, it's a matter of how we get that feeling into the picture and make it a part of [Michael] Chabon's story.
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We're not used to seeing movies, especially with physical action, when it isn't the man who comes in to save the day.
Curtis Hanson
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I stopped doing that [photojournalism] and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money. Even for a cheap movie, you need film stock and equipment and actors.
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Now, grosses are listed in the newspapers and on television like it's a sporting event. It's ridiculous, because when you're watching a movie, unless you're an investor in the movie or a stockholder in the studio, what do you care how much it's grossing or how much it cost or any of that stuff?
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There was a long period of time when Sam Fuller had a lot of projects fall through and had a lot of difficulties getting a project off the ground. And I was able to observe him during that period, and see his incredible resiliency and courage as he faced this difficulty and just kept working.
Curtis Hanson
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Consequently, their school [film-school ] was the school of life, and it was very much reflected in their work.
Curtis Hanson
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Hollywood, of course, is the city of illusion.
Curtis Hanson