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First of all, Sam Fuller left a group of extraordinary movies that are unique, that are Fuller-esque, as one might say, which makes them stand apart from any other director's films.

Curtis Hanson

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Curtis Hanson
Age: 71 †
Born: 1945
Born: March 24
Died: 2016
Died: September 20
Comedian
Film Actor
Film Director
Film Producer
Screenwriter
Reno
Nevada
Curtis Lee Hanson
Firsts
Unique
Esque
First
Groups
Fuller
Movies
Director
Stand
Apart
Left
Extraordinary
Makes
Group
Film
Directors
Might
Films

More quotes by Curtis Hanson

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Put simply, there are many people who want to make movies and very few opportunities for them to do it.
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We're not used to seeing movies, especially with physical action, when it isn't the man who comes in to save the day.
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Whereas to write, all you need is paper and an idea, so I felt that writing might be my stepping stone.
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I wrote a couple of scripts on spec that didn't get made but got some attention, and I then got offers to write professionally.
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Having done several of them and also loving other kinds of movies, I'm also tougher on suspense stories in terms of finding one that really excites and surprises me.
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What you care about [movie] is whether it's moving you, or whether you're caught up in it.
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I stopped doing that [photojournalism] and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money. Even for a cheap movie, you need film stock and equipment and actors.
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As ridiculous as it is for anybody who knows how movies are made, there were people who actually wrote in reviews that this picture [Bad Influence] had been put out to capitalize on the scandal. Which, of course, would have been impossible.
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Now, grosses are listed in the newspapers and on television like it's a sporting event. It's ridiculous, because when you're watching a movie, unless you're an investor in the movie or a stockholder in the studio, what do you care how much it's grossing or how much it cost or any of that stuff?
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That love of movies is very much alive in me.
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Here [in Wonder Boys] I had this group of characters where you didn't know which were the important ones or what direction they were heading.
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So the city [Pittsburgh] was faced with that question of What to do now? because it can't turn back the clock and be what it once was. So thematically, it seemed like the perfect location for the movie. And then, it's a matter of how we get that feeling into the picture and make it a part of [Michael] Chabon's story.
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On a personal note, a legacy he left me, aside from being a friend who was important to me on many levels, was that the decades I knew Sam [Fuller] happened to be the decades that were his least happy professionally.
Curtis Hanson
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Self-awareness and self-esteem. Those aren't female issues, those are human issues.
Curtis Hanson
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Bad Influence, which is an early movie of mine that I'm very fond of. It was an unhappy experience when that picture got released, because it coincided with that ridiculous Rob Lowe videotape scandal.
Curtis Hanson
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Hollywood, of course, is the city of illusion.
Curtis Hanson
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I thought, If I could bring these characters [Wonder Boys] to life and lead the audience to react the same way I did, this could be a really special picture. Then I read Michael's [Chabon] novel and got even more enthusiastic about it.
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The challenge was the opportunity. When I read the first draft of Steve Kloves' fabulous adaptation - I hadn't read [Michael] Chabon's book at that time - what I was immediately captivated by was this group of characters that were at once so engaging and so messed up.
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Consequently, it's so gratifying to then make a picture that's successful and gives you leverage to have better circumstances than you've ever had, before the next time out.
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Samuel Fuller pictures were both written and shot in such an unusual way that his voice came through loud and clear, and it made a big impression on me.
Curtis Hanson