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I had written the script a few years earlier for Paramount, then later got hired with Sam [Fuller] to write an entirely new script that he was going to direct. And that was one of the great thrills of my professional life.

Curtis Hanson

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Curtis Hanson
Age: 71 †
Born: 1945
Born: March 24
Died: 2016
Died: September 20
Comedian
Film Actor
Film Director
Film Producer
Screenwriter
Reno
Nevada
Curtis Lee Hanson
Write
Earlier
Great
Script
Writing
Professional
Going
Entirely
Years
Scripts
Thrills
Life
Later
Fuller
Direct
Paramount
Written
Hired

More quotes by Curtis Hanson

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I don't think of the marketplace as teen-oriented or teen-dominated. I think of it as dominated by high-concept, in marketing especially.
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I grew up as a reader as well as a movie-lover, so many of the novelists I admired - and so many of the great filmmakers I loved - were self-taught.
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Hollywood, of course, is the city of illusion.
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Consequently, their school [film-school ] was the school of life, and it was very much reflected in their work.
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When I first went to Pittsburgh, I had never been there before, and we hadn't even decided to shoot there yet. I just went to see the location of Michael Chabon's novel. Once there, I became aware that Pittsburgh is a wonder boy, in the narrow sense of the term, just as the human characters are.
Curtis Hanson
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So it's discouraging and, yet, when you make a movie like Wonder Boys, in a sense it's its own reward, because it does move people, it gets great reviews, and it becomes part of that library of movies that exist out there. As time goes by, it will find its audience.
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A day doesn't go by when I don't get a compliment on L.A. Confidential, for example.
Curtis Hanson
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I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers.
Curtis Hanson
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I approach the movies I make as a movie-lover as much as a movie-maker.
Curtis Hanson
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I stopped doing that [photojournalism] and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money. Even for a cheap movie, you need film stock and equipment and actors.
Curtis Hanson
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I can't speak to how Michael [Douglas] approached it in terms of his process.
Curtis Hanson
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On a personal note, a legacy he left me, aside from being a friend who was important to me on many levels, was that the decades I knew Sam [Fuller] happened to be the decades that were his least happy professionally.
Curtis Hanson
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Self-awareness and self-esteem. Those aren't female issues, those are human issues.
Curtis Hanson
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We're not used to seeing movies, especially with physical action, when it isn't the man who comes in to save the day.
Curtis Hanson
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The challenge was the opportunity. When I read the first draft of Steve Kloves' fabulous adaptation - I hadn't read [Michael] Chabon's book at that time - what I was immediately captivated by was this group of characters that were at once so engaging and so messed up.
Curtis Hanson
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Samuel Fuller pictures were both written and shot in such an unusual way that his voice came through loud and clear, and it made a big impression on me.
Curtis Hanson
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Consequently, it's so gratifying to then make a picture that's successful and gives you leverage to have better circumstances than you've ever had, before the next time out.
Curtis Hanson
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So the city [Pittsburgh] was faced with that question of What to do now? because it can't turn back the clock and be what it once was. So thematically, it seemed like the perfect location for the movie. And then, it's a matter of how we get that feeling into the picture and make it a part of [Michael] Chabon's story.
Curtis Hanson
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I wrote a couple of scripts on spec that didn't get made but got some attention, and I then got offers to write professionally.
Curtis Hanson
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It was a unique experience in several ways, because I don't think Sam [Fuller] had ever collaborated with another writer over his whole career.
Curtis Hanson