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I wrote a couple of scripts on spec that didn't get made but got some attention, and I then got offers to write professionally.
Curtis Hanson
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Curtis Hanson
Age: 71 †
Born: 1945
Born: March 24
Died: 2016
Died: September 20
Comedian
Film Actor
Film Director
Film Producer
Screenwriter
Reno
Nevada
Curtis Lee Hanson
Didn
Specs
Writing
Professionally
Made
Scripts
Wrote
Offers
Couple
Attention
Write
Spec
More quotes by Curtis Hanson
As ridiculous as it is for anybody who knows how movies are made, there were people who actually wrote in reviews that this picture [Bad Influence] had been put out to capitalize on the scandal. Which, of course, would have been impossible.
Curtis Hanson
Hollywood, of course, is the city of illusion.
Curtis Hanson
Bad Influence, which is an early movie of mine that I'm very fond of. It was an unhappy experience when that picture got released, because it coincided with that ridiculous Rob Lowe videotape scandal.
Curtis Hanson
I had written the script a few years earlier for Paramount, then later got hired with Sam [Fuller] to write an entirely new script that he was going to direct. And that was one of the great thrills of my professional life.
Curtis Hanson
In L.A. Confidential, it was great to surprise the audience with Guy Pearce and Russell Crowe - two Australian actors that they didn't know at all - and let people discover them through the course of the film.
Curtis Hanson
I don't think of the marketplace as teen-oriented or teen-dominated. I think of it as dominated by high-concept, in marketing especially.
Curtis Hanson
We're not used to seeing movies, especially with physical action, when it isn't the man who comes in to save the day.
Curtis Hanson
I didn't look at it as a transition so much, because I never intended to have a career as a journalist, writing about people who make movies.
Curtis Hanson
Now, grosses are listed in the newspapers and on television like it's a sporting event. It's ridiculous, because when you're watching a movie, unless you're an investor in the movie or a stockholder in the studio, what do you care how much it's grossing or how much it cost or any of that stuff?
Curtis Hanson
So the city [Pittsburgh] was faced with that question of What to do now? because it can't turn back the clock and be what it once was. So thematically, it seemed like the perfect location for the movie. And then, it's a matter of how we get that feeling into the picture and make it a part of [Michael] Chabon's story.
Curtis Hanson
A day doesn't go by when I don't get a compliment on L.A. Confidential, for example.
Curtis Hanson
When I first went to Pittsburgh, I had never been there before, and we hadn't even decided to shoot there yet. I just went to see the location of Michael Chabon's novel. Once there, I became aware that Pittsburgh is a wonder boy, in the narrow sense of the term, just as the human characters are.
Curtis Hanson
Here [in Wonder Boys] I had this group of characters where you didn't know which were the important ones or what direction they were heading.
Curtis Hanson
I can't speak to how Michael [Douglas] approached it in terms of his process.
Curtis Hanson
It was a unique experience in several ways, because I don't think Sam [Fuller] had ever collaborated with another writer over his whole career.
Curtis Hanson
I stopped doing that [photojournalism] and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money. Even for a cheap movie, you need film stock and equipment and actors.
Curtis Hanson
That love of movies is very much alive in me.
Curtis Hanson
What you care about [movie] is whether it's moving you, or whether you're caught up in it.
Curtis Hanson
Self-awareness and self-esteem. Those aren't female issues, those are human issues.
Curtis Hanson
First of all, Sam Fuller left a group of extraordinary movies that are unique, that are Fuller-esque, as one might say, which makes them stand apart from any other director's films.
Curtis Hanson