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I stopped doing that [photojournalism] and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money. Even for a cheap movie, you need film stock and equipment and actors.
Curtis Hanson
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Curtis Hanson
Age: 71 †
Born: 1945
Born: March 24
Died: 2016
Died: September 20
Comedian
Film Actor
Film Director
Film Producer
Screenwriter
Reno
Nevada
Curtis Lee Hanson
Though
Speculation
Actors
Equipment
Money
Cheap
Film
Stock
Wanted
Stopped
Need
Wrote
Needs
Direct
Photojournalism
Even
Movie
Screenplays
More quotes by Curtis Hanson
There was a long period of time when Sam Fuller had a lot of projects fall through and had a lot of difficulties getting a project off the ground. And I was able to observe him during that period, and see his incredible resiliency and courage as he faced this difficulty and just kept working.
Curtis Hanson
That love of movies is very much alive in me.
Curtis Hanson
I thought, If I could bring these characters [Wonder Boys] to life and lead the audience to react the same way I did, this could be a really special picture. Then I read Michael's [Chabon] novel and got even more enthusiastic about it.
Curtis Hanson
What you care about [movie] is whether it's moving you, or whether you're caught up in it.
Curtis Hanson
Whereas to write, all you need is paper and an idea, so I felt that writing might be my stepping stone.
Curtis Hanson
It was a unique experience in several ways, because I don't think Sam [Fuller] had ever collaborated with another writer over his whole career.
Curtis Hanson
I approach the movies I make as a movie-lover as much as a movie-maker.
Curtis Hanson
I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers.
Curtis Hanson
Having done several of them and also loving other kinds of movies, I'm also tougher on suspense stories in terms of finding one that really excites and surprises me.
Curtis Hanson
First of all, Sam Fuller left a group of extraordinary movies that are unique, that are Fuller-esque, as one might say, which makes them stand apart from any other director's films.
Curtis Hanson
I had written the script a few years earlier for Paramount, then later got hired with Sam [Fuller] to write an entirely new script that he was going to direct. And that was one of the great thrills of my professional life.
Curtis Hanson
I can't speak to how Michael [Douglas] approached it in terms of his process.
Curtis Hanson
In L.A. Confidential, it was great to surprise the audience with Guy Pearce and Russell Crowe - two Australian actors that they didn't know at all - and let people discover them through the course of the film.
Curtis Hanson
I didn't look at it as a transition so much, because I never intended to have a career as a journalist, writing about people who make movies.
Curtis Hanson
The challenge was the opportunity. When I read the first draft of Steve Kloves' fabulous adaptation - I hadn't read [Michael] Chabon's book at that time - what I was immediately captivated by was this group of characters that were at once so engaging and so messed up.
Curtis Hanson
Here [in Wonder Boys] I had this group of characters where you didn't know which were the important ones or what direction they were heading.
Curtis Hanson
A day doesn't go by when I don't get a compliment on L.A. Confidential, for example.
Curtis Hanson
Consequently, it's so gratifying to then make a picture that's successful and gives you leverage to have better circumstances than you've ever had, before the next time out.
Curtis Hanson
As ridiculous as it is for anybody who knows how movies are made, there were people who actually wrote in reviews that this picture [Bad Influence] had been put out to capitalize on the scandal. Which, of course, would have been impossible.
Curtis Hanson
Now, grosses are listed in the newspapers and on television like it's a sporting event. It's ridiculous, because when you're watching a movie, unless you're an investor in the movie or a stockholder in the studio, what do you care how much it's grossing or how much it cost or any of that stuff?
Curtis Hanson