Quote

The dance in which the men form one row, the women another, and dance with and opposite each other in a form of love play, is widely diffused and may be confidentally assigned to a Protoneolithic culture level.

Curt Sachs

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Curt Sachs
Age: 77 †
Born: 1881
Born: June 29
Died: 1959
Died: February 5
Art Historian
Composer
Ethnomusicologist
Music Theorist
Musicologist
University Teacher
Berlin
Germany
Culture
Assigned
Another
Widely
Form
Opposite
Women
Opposites
May
Dancing
Play
Dance
Men
Level
Love
Levels
Diffused

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Only the tango has continued to enjoy undiminished favor for more than twenty years in spite of polishing and refinement. To be sure, it is no pure Negro dance and owes its best qualities to the unusual dance talents of the Spaniards.
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The oldest form of the Choral Dance is the circle. Even the chimpanzees dance in a circle, and people of every continent still do it.
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Every dance is and gives ecstasy.
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In dance, even the weakest can do wonders.
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The only information we have about the early history of the dance comes to us from the rock paintings created by primitive man tens of thousands of years ago in what is now France.
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Music as a whole, in its overwhelming wealth and endlessness, is inaccessible unless we free ourselves from the limitations of our own restricted training.
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The English dance unites the guests of an evening by the spell of rhythmical movement into a chance casual community.
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It removes the limitations of his body, extinguishes his consciousness, and pours the divine spirit into him. The whirl dance is the purest form of dance devotion.
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The superhuman power which exhiliration and hypnosis bring to a dancer is shown especially clearly in his almost inconceivable staying powers in a state of high tension. In the dance even the weakest can do wonders.
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In Europe we have the loss of self motif clearly illustrated in the whirl dances of the Russians sects of the Molokani in Armenia....All the countries that bordered the Meditteranean in ancient times, and the less remote sections of Asia as well, appear to have had whirl dances.
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If you ask an Auin Bushman what realty happens at the puberty ceremonials, he will tell you, We dance. In the initiation customs of all peoples the dances play an especially important part. The dance is the center of wedding festivities.
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The adult who puts his arm around his companion in the ballroom, and the child in the roadway, skipping in a round dance - they forget themselve, they dissolve the weight of earthly contact and the rigidity of daily existence. The soul slips into a twilight stage.
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Wherever there are four walls, consciousness of direction is far keener.
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Rhythmic motion has become the carrier and creator of almost every ecstatic mood of any significance in human life.
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The dance lives in all mankind as a necessary motor-rhythmic expression of excess energy and the joy of living.
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The peoples influenced by the animal dance have a variety of movements and dance with enthusiasm those who do not know the animal dance have few movements and show little zest for dancing.
Curt Sachs