As an allegorical art, then, photography would represent our desire to fix the transitory, the ephemeral, in a stable and stabilizing image.

Photographs are but one link in a potentially endless chain of reduplication themselves duplicates (of both their objects and, in a sense, their negatives), they are also subject to further duplication, either through the procedures of printing or as objects of still other photographs.

Representation, then, is not - nor can it be - neutral it is an act - indeed the founding act - of power in our culture.