Quote

The direct effect on our mind is achieved by the words, the text, the thought, which arouse consideration. Our will is directly affected by the super-objective, by other objectives, by a through line of action. Our feelings are directly worked upon by tempo-rhythm.

Constantin Stanislavski

Change background

T
T
T

Change font

TAGS & TOPICS

Constantin Stanislavski
Age: 75 †
Born: 1863
Born: January 5
Died: 1938
Died: August 7
Actor
Director
Film Director
Pedagogue
Stage Actor
Teacher
Theatrical Director
Theatrologist
Moscow
Russian SFSR
Konstantin Stanislavskij
Konstantin Sergeievich Stanislavski
Constantin Stanislavski
Konstantin Stanislavsky
Konstantin Sergeyevich Stanislavski
Upon
Affected
Tempo
Words
Rhythm
Text
Action
Effect
Objective
Feelings
Worked
Achieved
Thought
Direct
Super
Mind
Line
Consideration
Effects
Directly
Lines
Objectives
Arouse

More quotes by Constantin Stanislavski

Image
When an actor is completely absorbed by some profoundly moving objective so that he throws his whole being passionately into its execution, he reaches a state we call inspiration.
Constantin Stanislavski
Image
You'll never see any two good actors approach a role in the same way.
Constantin Stanislavski
Image
In spite of my great admiration for individual splendid talents I do not accept the star system. Collective creative effort is the root of our kind of art. That requires ensemble acting and whoever mars that ensemble is committing a crime not only against his comrades but also against the very art of which he is the servant.
Constantin Stanislavski
Image
Never allow yourself externally to portray anything that you have not inwardly experienced and which is not even interesting to you.
Constantin Stanislavski
Image
In the given circumstances you must be rooted in the play. Do not depart from the play. Don't cut yourself off from your partner in the scene, or partners.
Constantin Stanislavski
Image
In the creative process there is the father, the author of the play the mother, the actor pregnant with the part and the child, the role to be born.
Constantin Stanislavski
Image
Gratuitous cruelty borders on the pathological, psychotic and that becomes uninteresting because there is no choice.
Constantin Stanislavski
Image
In the language of an actor, to know is synonymous with to feel
Constantin Stanislavski
Image
Every person who is really an artist desires to create inside of himself another, deeper, more interesting life than the one that actually surrounds him.
Constantin Stanislavski
Image
Remember this practical piece of advice: Never come into the theatre with mud on your feet. Leave your dust and dirt outside. Check your little worries, squabbles, petty difficulties with your outside clothing - all the things that ruin your life and draw your attention away from your art - at the door.
Constantin Stanislavski
Image
The language of the body is the key that can unlock the soul.
Constantin Stanislavski
Image
We have as many planes of speech as does a painting planes of perspective which create perspective in a phrase. The most important word stands out most vividly defined in the very foreground of the sound plane. Less important words create a series of deeper planes.
Constantin Stanislavski
Image
I was born an ordinary actor. I will die an ordinary actor. But I've persisted.
Constantin Stanislavski
Image
Love the art in yourself, not yourself in the art.
Constantin Stanislavski
Image
It is only when an actor feels that his inner and outer life on the stage is flowing naturally and normally, in the circumstances that surround him, that the deeper sources of his subconscious gently open, and from them come feelings we cannot always analyse.
Constantin Stanislavski
Image
In every physical action, unless it is purely mechanical, there is concealed some inner action, some feelings. This is how the two levels of life in a part are created, the inner and the outer. They are intertwined. A common purpose brings them together and reinforces the unbreakable bond.
Constantin Stanislavski
Image
The character has to have some kind of arch. The character has to go through an event, and be changed by the human event.
Constantin Stanislavski
Image
The actor must use his imagination to be able to answer all questions (when, where, why, how). Make the make-believer existence more definite.
Constantin Stanislavski
Image
I have taken film-work that has been a little more cliché-written, to support myself and my family, and that's a whole kind of other challenge. It's like chopping wood: You've got to take what you can get and bless what withstands you. But in theatre! There's enough great theatre that you can find something interesting!
Constantin Stanislavski
Image
Doubt is the enemy of creativeness.
Constantin Stanislavski