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In a way, to have whatever people talk about as crossover success, I think it means you start making bad music. I mean, when I'm flipping through the channels and see the VMAs or something, I don't really see any music there.

Conor Oberst

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Conor Oberst
Age: 44
Born: 1980
Born: February 15
Guitarist
Musician
Singer-Songwriter
Omaha
Nebraska
Conor Mullen Oberst
Whatever
Way
Think
Success
Thinking
Making
Flipping
People
Means
Crossover
Music
Channels
Mean
Start
Something
Talk
Really

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There's nothing that the road cannot heal
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If you love something, give it away...
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I would say I'm a humanist. I like that. I mean, I don't claim to know anything, but I'm curious about it all. I'm always fascinated when people really fervently believe, because I have such a hard time believing anything.
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We [Desaparecidos] have to make the message and the music and the packaging as appealing as possible - as Taco Bell as possible: mediocre and no one can be offended by it and everyone can sort of enjoy it and we can play it on the radio.
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You mean nothing to no one but that's nobody's fault...
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I love story songs. It's just, for me, they're harder to write, and sometimes they sound too intended or something.
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I really just want to be warm yellow light that pours over everyone I love.
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It's dangerous to buy into praise and criticism for what you do when you're trying to present your music to people. I don't ignore it completely, but I don't dwell on it too much.
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Well morning came, and it dressed the sky in a lovely yellow gown. Shopping malls are opening in that narrow hallway of downtown, filled with people who are shopping for their lovers and their friends, singing I won't ever be lonely again
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Art is essentially communication. It doesn't exist in a vacuum. That's why people make art, so other people can relate to it.
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I went right from wunderkind to washed up. Old. Been around too long. That's just the way I feel. That's my internal dialogue.
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To outsiders it probably seems like splitting hairs, but to me, Bright Eyes is a simply the collaboration between myself and Mike Mogis and Nate Walcott. What you hear is definitely the sum of all our ideas and represents all three of us. But I still write the songs myself.
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I don't see any harm in letting whatever comes out come out of you, even if it's sort of weird, or dark, or painful, or too embarrassing, or whatever. I feel like you might as well get it down for yourself. It can't do anything but help you get to where you want to be by recognizing the thoughts that you're having.
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The sound of loneliness makes me happier.
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If I could act like This was my real life, And not some cage where I've been placed, Well then, I could tell you The truth like I used to And not be afraid of sounding fake.
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People resist change if they like something, then they want you to keep doing it over and over - but I think if you like what a particular band or artist does, then you should want to see what they're going to do next.
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Everything must belong somewhere. I know that now, that's why I'm staying here.
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One of my favorite modern American authors is Denis Johnson. I'm deeply inspired by all of his work - I rip him off constantly.
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We've all seen the power music has to spread messages of solidarity and hope.
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I have a car in Nebraska. When I bought it, they gave me a satellite radio, and there's an 'indie-rock' station. It's just nothing I'm interested in.
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