Quote

I always have a few ideas that are percolating, and then after I've finished a book and it's a year later, and things are sort of festering and things are disgusting in my house and I have to get back to work, whatever project I keep thinking about is the one I end up working on. Sort of a very simple process of elimination.

Colson Whitehead

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Colson Whitehead
Age: 55
Born: 1969
Born: January 1
Novelist
Writer
New York City
New York
Arch Colson Chipp Whitehead
Work
Simple
Project
Years
Process
Finished
Always
House
Projects
Things
Keep
Later
Thinking
Ends
Sort
Back
Year
Festering
Ideas
Working
Elimination
Book
Whatever
Disgusting

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Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book.
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Don’t go searching for a subject, let your subject find you. You can’t rush inspiration. … Once your subject finds you, it’s like falling in love. It will be your constant companion. Shadowing you, peeping in your windows, calling you at all hours to leave messages like, Only you understand me.
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A monster is a person who has stopped pretending.
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If I have three ideas and I'm working on one more than the others, that sort of tells me that I should work on that one.
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I think being a writer was a crappy job when you just had typewriters. It was crappy when we just had ink and paper. And it's sort of crappy now. It's always just you and the page. That doesn't change.
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The city knows you better than any living person because it has seen you when you are alone.
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We never see other people anyway, only the monsters we make of them.
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I can't blame modern technology for my predilection for distraction, not after all the hours I've spent watching lost balloons disappear into the clouds. I did it before the Internet, and I'll do it after the apocalypse, assuming we still have helium and weak-gripped children.
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As time went on, we learned to arm ourselves in our different ways. Some of us with real guns, some of us with more ephemeral weapons, an idea or improbable plan or some sort of formulation about how best to move through the world. An idea that will let us be. Protect us and keep us safe. But a weapon nonetheless.
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Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.
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You are a New Yorker when what was there before is more real and solid than what is here now.
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His legs remembered the correct position for squatting down with toys. He played. He fit the round male studs into the round female grooves. He got some thinking done as he hunkered down on his fallen-sleep legs.
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A society manufactures the heroes it requires.
Colson Whitehead
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I think the world's big enough for all kinds of zombies. You can have yours and I can have mine. I think by going with slow zombies I maybe have been asserting my own kind of zombie snobbery, but I don't begrudge the youngsters their tackling, running, jumping zombies.
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In other words, fiction is payback for those who have wronged you.
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It is failure that guides evolution perfection provides no incentive for improvement, and nothing is perfect.
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In the 1930s, the government paid writers to interview 80- and 90-year-old former slaves, and I read those accounts. I came away realizing - not surprisingly - that many slave masters were sadists who spent a lot of time thinking up creative ways of hurting people.
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Talking about New York is a way of talking about the world.
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In terms of why everything is different, each book is different than the one before because I'm so bored of what I just finished I want to work on something different. The next book becomes an antidote to what I did before.
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There will be no redemption because the men who run this place do not want redemption. They want to be as near to hell as they can.
Colson Whitehead