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It doesn't matter if it's a drama or a comedy, the need to get the emotion and the character arc across is way harder in something like this so was more of a preparation.

Colin Farrell

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Colin Farrell
Age: 48
Born: 1976
Born: May 31
Actor
Character Actor
Film Actor
Stage Actor
Television Actor
Dublin city
Colin James Farrell
Way
Emotion
Like
Comedy
Doesn
Character
Arcs
Matter
Preparation
Need
Drama
Needs
Across
Something
Harder

More quotes by Colin Farrell

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If you need to get in physical shape for a film and you have to maintain that for six months, at the start of the film, I was never able to do it.
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I like to go for a little drive up the California coast.
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That's the process of making the film and it isn't until the world puts their eyes to it that you find out if it's creating any kind of connection at all. But every single film at some stage of the film I think, I wonder what this is going to be?
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Around the world there are certain marital systems, certain physical systems, political systems, social systems, and all those things are kind of turned on their head but represented in various ways within The Lobster.
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Her Majesty's Secret Service wouldn't have me on the payroll.
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Allow your head to be quiet. Allow it to be still. Just for an hour and half. Just deal with your body & your breath.
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I will say that as I get older and calmer and quieter in my own self, the one quality in a woman that I find more and more attractive is kindness. A sense of adventure and humor is important too, but I truly find kindness and consideration for others to be the most attractive thing in anyone.
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I do enjoy reading some science fiction.
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On [Total] Recall also [sets were extraordinary], but this was next-level. They built two or three blocks of midtown Manhattan in 1926 and it was inhabited with 400 extras and 24 Model Ts and a train system and all that kind of nonsense. It was madness. You would walk into shops and they would have the goods from that period, it was just huge.
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The idea of implanting memories where by the implantee couldn't tell the difference between a real experience and a fantasy experience was really cool. And his ideas of technology - do we control technology or does technology begin to control us? His work hasn't aged a day it seems.
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I think people enjoy The Lobster because people respond to original things, but I think they only respond to original things if they connect to some truths within us.
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I hadn't really met Colin [Farell]. It's really weird to say: 'Oh, hello, I'm Kate...I'm Colin.. shall we?' That's a bit strange. Len was fine with it. We've gone through this experience with Scott Speedman before on the first Underworld move. It was our little version of swinging. We survived that.
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I'm not optimistic at all, nor am I pessimistic.
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Desperation will allow you to do incredible things in the name of survival.
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I think people are propelled towards violence, and what propels them is much more interesting than the actual act of violence itself.
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You have the upmost amount of energy because you're not just having a cocktail at the end of the night. You're actually not drinking alcohol and you're keeping your body really clean and it's an amazing feeling to be getting out all the toxins.
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I love working with horses. People say you shouldn't work with animals and children that's wrong. You must only work with children, because you only work eight hours a day and I love working with animals. Animals have an honesty that human beings reach to find in their lives at the best of times.
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I just recently realized. It's very strange. But doing fight scenes with Kate [Beckinsale], I was little bit more cautious. You can go harder with a guy, which I don't mean as an insult.
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Yeah loads of bruises and welts, usually around the hip, arse, thigh region and elbows. Elbows got knocked up big time, but it was so much fun. I hadn't done a meaty action film in seven or eight years, so it was fun to explore that aspect of storytelling again.
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I'm a big old romantic.
Colin Farrell