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My tendency is to want to say to the person, Do you understand why I feel this way? I usually do say that. And sometimes it doesn't go well. By this I mean we hit an impasse again. Not that I need to hear exactly what I want to hear, but I need to know I am heard. Those moments make for a better friendship. But I can't let it go. For good or b

Claudia Rankine

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Claudia Rankine
Age: 61
Born: 1963
Born: January 1
Playwright
Poet
Professor
Writer
Kingston
Jamaica
Make
Well
Heard
Impasse
Good
Need
Understand
Feel
Doesn
Tendency
Sometimes
Moments
Tendencies
Feels
Persons
Exactly
Mean
Person
Friendship
Needs
Better
Usually
Way
Wells
Hear

More quotes by Claudia Rankine

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Define loneliness? Yes. It's what we can't do for each other.
Claudia Rankine
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If you make a mistake, then you should own that mistake.
Claudia Rankine
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If you admit to being racist, it says you acknowledge that you are being driven by projections and stereotypes that were formed in the creation of our country. Racism is deeply rooted in America.
Claudia Rankine
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Poetry has no investment in anything besides openness. It's not arguing a point. It's creating an environment.
Claudia Rankine
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Where is the safest place when that place / must be someplace other than in the body?
Claudia Rankine
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You can’t put the past behind you. It’s buried in you it’s turned your flesh into its own cupboard. Not everything remembered is useful but it all comes from the world to be stored in you.
Claudia Rankine
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I always took note of them, because I think if you're in the black or brown body, you're negotiating them all the time. It's like women taking note of sexism. It's a kind of incoherency that you are constantly negotiating.
Claudia Rankine
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I am invested in keeping present the forgotten bodies.
Claudia Rankine
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I also found it funny to think about blackness as the second person. That was just sort of funny. Not the first person, but the second person, the other person.
Claudia Rankine
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Each of these failures for me is a failure of communication, via a mode of communication that can be violent or meant to behave violently. Butler provides a way of thinking about how language becomes an instrument of violence. And why we feel it as such.
Claudia Rankine
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I don't think people want to look at problems. They want a continuous narrative, an optimistic narrative. A narrative that says there's a present and a future - and what was in the past no longer exists.
Claudia Rankine
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You want to belong, you want to be here. In interactions with others you're constantly waiting to see that they recognize that you're a human being. That they can feel your heartbeat and you can feel theirs. And that together you will live - you will live together.
Claudia Rankine
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The past is a life sentence, a blunt instrument aimed at tomorrow.
Claudia Rankine
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You become a role model because of what you do as a person. There's a certain point where being a role model might come from standing up for yourself and getting rid of emotion that doesn't belong to you, emotion that is being brought on because of racist actions of others.
Claudia Rankine
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Poetry is probably the last gift economy. Part of the negotiation is to understand that you're going to do something you really want to do, so you're going to take whatever life comes with that.
Claudia Rankine
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I want to believe that in any relational moment a person understands that the other person in front of them is just another human being.
Claudia Rankine
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I wanted a feeling of accumulation. I really wanted the moments to add up because they do add up. I wanted to come up with a strategy that would allow these moments to accumulate in the reader's body in a way that they do accumulate in the body.
Claudia Rankine
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I think having a term for a condition that is prevalent is useful, because then people understand it as something not particular to them. It allows you not to ask the question, What's wrong with me? and begin to ask the question, What's wrong with this place that I'm in?
Claudia Rankine
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I asked a lot of friends and people I'd meet, Can you tell me a story of a micro-aggression that happened to you in a place you didn't expect it to happen? I wasn't interested in scandal, or outrageous moments. I was interested in the surprise of the intimate, or the surprise of the ordinary.
Claudia Rankine
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So you're just moving along and suddenly you get this moment that breaks your ability to continue, and yet you continue. I wanted those kinds of moments. And initially people would say, I don't think I have any. Their initial reaction was to render invisible those moments weaved into a kind of everydayness.
Claudia Rankine