Quote

I asked a lot of friends and people I'd meet, Can you tell me a story of a micro-aggression that happened to you in a place you didn't expect it to happen? I wasn't interested in scandal, or outrageous moments. I was interested in the surprise of the intimate, or the surprise of the ordinary.

Claudia Rankine

Change background

T
T
T

Change font

TAGS & TOPICS

Claudia Rankine
Age: 61
Born: 1963
Born: January 1
Playwright
Poet
Professor
Writer
Kingston
Jamaica
Stories
Happened
Surprise
People
Friends
Expect
Story
Meet
Tell
Ordinary
Micro
Moments
Interested
Outrageous
Didn
Asked
Scandal
Place
Wasn
Aggression
Happens
Happen
Intimate

More quotes by Claudia Rankine

Image
I don't know about forgiving, but it's an I'm still here. And it's not just because I have nowhere else to go. It's because I believe in the possibility. I believe in the possibility of another way of being. Let's make other kinds of mistakes let's be flawed differently.
Claudia Rankine
Image
If you admit to being racist, it says you acknowledge that you are being driven by projections and stereotypes that were formed in the creation of our country. Racism is deeply rooted in America.
Claudia Rankine
Image
Each of these failures for me is a failure of communication, via a mode of communication that can be violent or meant to behave violently. Butler provides a way of thinking about how language becomes an instrument of violence. And why we feel it as such.
Claudia Rankine
Image
You become a role model because of what you do as a person. There's a certain point where being a role model might come from standing up for yourself and getting rid of emotion that doesn't belong to you, emotion that is being brought on because of racist actions of others.
Claudia Rankine
Image
You can’t put the past behind you. It’s buried in you it’s turned your flesh into its own cupboard. Not everything remembered is useful but it all comes from the world to be stored in you.
Claudia Rankine
Image
I want to believe that in any relational moment a person understands that the other person in front of them is just another human being.
Claudia Rankine
Image
My tendency is to want to say to the person, Do you understand why I feel this way? I usually do say that. And sometimes it doesn't go well. By this I mean we hit an impasse again. Not that I need to hear exactly what I want to hear, but I need to know I am heard. Those moments make for a better friendship. But I can't let it go. For good or b
Claudia Rankine
Image
I always took note of them, because I think if you're in the black or brown body, you're negotiating them all the time. It's like women taking note of sexism. It's a kind of incoherency that you are constantly negotiating.
Claudia Rankine
Image
I think music, like writing, can be a mirror. Can turn back onto the listener, the viewer, the reader, an experience that they know but they don't know.
Claudia Rankine
Image
The past is a life sentence, a blunt instrument aimed at tomorrow.
Claudia Rankine
Image
I am invested in keeping present the forgotten bodies.
Claudia Rankine
Image
Poetry is probably the last gift economy. Part of the negotiation is to understand that you're going to do something you really want to do, so you're going to take whatever life comes with that.
Claudia Rankine
Image
Where is the safest place when that place / must be someplace other than in the body?
Claudia Rankine
Image
I don't think people want to look at problems. They want a continuous narrative, an optimistic narrative. A narrative that says there's a present and a future - and what was in the past no longer exists.
Claudia Rankine
Image
So you're just moving along and suddenly you get this moment that breaks your ability to continue, and yet you continue. I wanted those kinds of moments. And initially people would say, I don't think I have any. Their initial reaction was to render invisible those moments weaved into a kind of everydayness.
Claudia Rankine
Image
One of the things that I think about is: How do you make moments that float, transparent? Moments that could just float away. How do you make a body accountable for its language, its positioning? Why not make a body accountable for its language?
Claudia Rankine
Image
I also found it funny to think about blackness as the second person. That was just sort of funny. Not the first person, but the second person, the other person.
Claudia Rankine
Image
People expect black women to be angry, irrationally so, without reason. They think we are animals and we go around like the Wild Things.
Claudia Rankine
Image
Poetry has no investment in anything besides openness. It's not arguing a point. It's creating an environment.
Claudia Rankine
Image
You want to belong, you want to be here. In interactions with others you're constantly waiting to see that they recognize that you're a human being. That they can feel your heartbeat and you can feel theirs. And that together you will live - you will live together.
Claudia Rankine