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Where is the safest place when that place / must be someplace other than in the body?

Claudia Rankine

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Claudia Rankine
Age: 61
Born: 1963
Born: January 1
Playwright
Poet
Professor
Writer
Kingston
Jamaica
Safest
Someplace
Place
Body
Must

More quotes by Claudia Rankine

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I think music, like writing, can be a mirror. Can turn back onto the listener, the viewer, the reader, an experience that they know but they don't know.
Claudia Rankine
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I always took note of them, because I think if you're in the black or brown body, you're negotiating them all the time. It's like women taking note of sexism. It's a kind of incoherency that you are constantly negotiating.
Claudia Rankine
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You want to belong, you want to be here. In interactions with others you're constantly waiting to see that they recognize that you're a human being. That they can feel your heartbeat and you can feel theirs. And that together you will live - you will live together.
Claudia Rankine
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Poetry is probably the last gift economy. Part of the negotiation is to understand that you're going to do something you really want to do, so you're going to take whatever life comes with that.
Claudia Rankine
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If you make a mistake, then you should own that mistake.
Claudia Rankine
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I don't know about forgiving, but it's an I'm still here. And it's not just because I have nowhere else to go. It's because I believe in the possibility. I believe in the possibility of another way of being. Let's make other kinds of mistakes let's be flawed differently.
Claudia Rankine
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I want to believe that in any relational moment a person understands that the other person in front of them is just another human being.
Claudia Rankine
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I think having a term for a condition that is prevalent is useful, because then people understand it as something not particular to them. It allows you not to ask the question, What's wrong with me? and begin to ask the question, What's wrong with this place that I'm in?
Claudia Rankine
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I also found it funny to think about blackness as the second person. That was just sort of funny. Not the first person, but the second person, the other person.
Claudia Rankine
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I am invested in keeping present the forgotten bodies.
Claudia Rankine
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Define loneliness? Yes. It's what we can't do for each other.
Claudia Rankine
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So you're just moving along and suddenly you get this moment that breaks your ability to continue, and yet you continue. I wanted those kinds of moments. And initially people would say, I don't think I have any. Their initial reaction was to render invisible those moments weaved into a kind of everydayness.
Claudia Rankine
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One of the things that I think about is: How do you make moments that float, transparent? Moments that could just float away. How do you make a body accountable for its language, its positioning? Why not make a body accountable for its language?
Claudia Rankine
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The past is a life sentence, a blunt instrument aimed at tomorrow.
Claudia Rankine
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I wanted a feeling of accumulation. I really wanted the moments to add up because they do add up. I wanted to come up with a strategy that would allow these moments to accumulate in the reader's body in a way that they do accumulate in the body.
Claudia Rankine
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Poetry has no investment in anything besides openness. It's not arguing a point. It's creating an environment.
Claudia Rankine
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My tendency is to want to say to the person, Do you understand why I feel this way? I usually do say that. And sometimes it doesn't go well. By this I mean we hit an impasse again. Not that I need to hear exactly what I want to hear, but I need to know I am heard. Those moments make for a better friendship. But I can't let it go. For good or b
Claudia Rankine
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I asked a lot of friends and people I'd meet, Can you tell me a story of a micro-aggression that happened to you in a place you didn't expect it to happen? I wasn't interested in scandal, or outrageous moments. I was interested in the surprise of the intimate, or the surprise of the ordinary.
Claudia Rankine
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Each of these failures for me is a failure of communication, via a mode of communication that can be violent or meant to behave violently. Butler provides a way of thinking about how language becomes an instrument of violence. And why we feel it as such.
Claudia Rankine
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I'm not comfortable, for myself and for others. And yet, one has these people whom you trust, have faith in, whom you believe see what you see, and then you come up against a moment where you feel suddenly tossed out. So I was really interested in those moments.
Claudia Rankine