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You'll understand, I'm sure that I'm chasing the merest sliver of color. It's my own fault. I want to grasp the intangible. It's terrible how the light runs out. Color, any color, lasts a second, sometimes 3 or 4 minutes at most.
Claude Monet
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Claude Monet
Age: 86 †
Born: 1840
Born: November 14
Died: 1926
Died: December 5
Graphic Artist
Painter
Paris
France
Monet
Klod Mone
Claude-Oscar Monet
Cl. Monet
Oscar Claude Monet
monet claude
claude oscar monet
monet c.
Claude Jean Monet
Claude Oscar Monet
C. Monet
Oscar-Claude Monet
Lasts
Runs
Understand
Fault
Running
Faults
Light
Second
Sliver
Sometimes
Terrible
Merest
Color
Intangible
Minutes
Chasing
Sure
Grasp
More quotes by Claude Monet
Getting up at 4 in the morning, I slave away all day until by the evening I'm exhausted, and I end by forgetting all my responsibilities, thinking only of the work I've set out to do.
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Despite my exhaustion I have a devil of a time getting to sleep because of the rats above my bed and a pig who lives beneath my room.
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No one is an artist unless he carries his picture in his head before painting it, and is sure of his method and composition.
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Now, more than ever, I realize just how illusory my undeserved success has been. I still hold out some hope of doing better, but age and unhappiness have sapped my strength.
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I let a good many mistakes show through when fixing my sensations. It will always be the same and this is what makes me despair.
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Impressionism is only direct sensation. All great painters were less or more impressionists. It is mainly a question of instinct, and much simpler than [John Singer] Sargent thinks.
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My life has been nothing but a failure.
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For me, the subject is of secondary importance: I want to convey what is alive between me and the subject.
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All I did was to look at what the universe showed me, to let my brush bear witness to it.
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Work is nearly always a torture. If I could find something else I would be much happier, because I could use this other interest as a form of relaxation. Now I cannot relax.
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I insist upon 'doing it alone'... I have always worked better alone and from my own impressions.
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These landscapes of water and reflection have become an obsession.
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Zaandam has enough to paint for a lifetime.
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I haven't many years left ahead of me and I must devote all my time to painting, in the hope of achieving something worthwhile in the end, something if possible that will satisfy me.
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Nothing in the whole world is of interest to me but my painting and my flowers.
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When it is dark, it seems to me as if I were dying, and I can't think any more.
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Color is my day-long obsession, joy and torment.
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My only desire is an intimate infusion with nature, and the only fate I wish is to have worked and lived in harmony with her laws.
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I'm very happy, very delighted. I'm setting to like a fighting cockerel, for I'm surrounded here by all that I love.
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My rejection at the Salon brought an end to my hesitation [to settle in Paris] since after this failure I can no longer claim to cope... alas, that fatal rejection has virtually taken the bread out of my mouth.
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