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I'm continuing to work hard, not without periods of discouragement, but my strength comes back again.

Claude Monet

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Claude Monet
Age: 86 †
Born: 1840
Born: November 14
Died: 1926
Died: December 5
Graphic Artist
Painter
Paris
France
Monet
Klod Mone
Claude-Oscar Monet
Cl. Monet
Oscar Claude Monet
monet claude
claude oscar monet
monet c.
Claude Jean Monet
Claude Oscar Monet
C. Monet
Oscar-Claude Monet
Back
Without
Hard
Work
Discouragement
Continuing
Periods
Strength
Comes

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All of a sudden I had the revelation of how enchanting my pond was.
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I've been working so hard that I'm exhausted... I feel I won't be able to do without a few weeks' rest, so I'm going off to see the sea.
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My rejection at the Salon brought an end to my hesitation [to settle in Paris] since after this failure I can no longer claim to cope... alas, that fatal rejection has virtually taken the bread out of my mouth.
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What I need most of all is color, always, always.
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Listening only to my instincts, I discovered superb things.
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I would love to do orange and lemon trees silhouetted against the blue sea, but I cannot find them the way I want them.
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No one but myself knows the anxiety I go through and the trouble I give myself to finish paintings which do not satisfy me and seem to please so very few others.
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When I look at nature I feel as if I'll be able to paint it all, note it all down, and then you might as well forget it once you're working.
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Nothing in the whole world is of interest to me but my painting and my flowers.
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You'll understand, I'm sure that I'm chasing the merest sliver of color. It's my own fault. I want to grasp the intangible. It's terrible how the light runs out. Color, any color, lasts a second, sometimes 3 or 4 minutes at most.
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When I work I forget all the rest.
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It seems to me that when I see nature I see it ready-made, completely written - but then, try to do it!
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Impressionism is only direct sensation. All great painters were less or more impressionists. It is mainly a question of instinct, and much simpler than [John Singer] Sargent thinks.
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The Thames was all gold. God it was beautiful, so fine that I began working a frenzy, following the sun and its reflections on the water.
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It goes without saying that I will do anything at any price to pull myself out of a situation like this [rejection] so that I can start work immediately on my next Salon picture and ensure that such a thing should not happen again.
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To see we must forget the name of the thing we are looking at.
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As for myself, I met with as much success as I ever could have wanted. In other words, I was enthusiastically run-down by every critic of the period.
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I'm working hard with more determination than ever. My success at the Salon led to my selling several paintings and since your absence I have made 800 francs I hope, when I have contracts with more dealers, it will be better still.
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Color is my day-long obsession, joy and torment. To such an extent indeed that one day, finding myself at the deathbed of a woman who had been and still was very dear to me, I caught myself in the act of focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face.
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My heart is forever in Giverny.
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