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My rejection at the Salon brought an end to my hesitation [to settle in Paris] since after this failure I can no longer claim to cope... alas, that fatal rejection has virtually taken the bread out of my mouth.
Claude Monet
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Claude Monet
Age: 86 †
Born: 1840
Born: November 14
Died: 1926
Died: December 5
Graphic Artist
Painter
Paris
France
Monet
Klod Mone
Claude-Oscar Monet
Cl. Monet
Oscar Claude Monet
monet claude
claude oscar monet
monet c.
Claude Jean Monet
Claude Oscar Monet
C. Monet
Oscar-Claude Monet
Ends
Bread
Virtually
Mouths
Settle
Claims
Alas
Brought
Settling
Salon
Failure
Rejection
Salons
Longer
Claim
Cope
Since
Paris
Hesitation
Taken
Mouth
Fatal
More quotes by Claude Monet
I had so much fire in me and so many plans.
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I have once more taken up things that can't be done: water with grasses weaving on the bottom. But I'm always tackling that sort of thing!
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I'm not performing miracles, I'm using up and wasting a lot of paint.
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I sometimes feel ashamed that I am devoting myself to artistic pursuits while so many of our people are suffering and dying for us. It's true that fretting never did any good.
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It's enough to drive you crazy, trying to depict the weather, the atmosphere, the ambience.
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I'm working hard with more determination than ever. My success at the Salon led to my selling several paintings and since your absence I have made 800 francs I hope, when I have contracts with more dealers, it will be better still.
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I want to paint the air in which the bridge, the house and the boat are to be found - the beauty of the air around them, and that is nothing less than the impossible.
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I insist upon 'doing it alone'... I have always worked better alone and from my own impressions.
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To see we must forget the name of the thing we are looking at.
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The real subject of every painting is light.
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Now, more than ever, I realize just how illusory my undeserved success has been. I still hold out some hope of doing better, but age and unhappiness have sapped my strength.
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It is a tragedy that we live in a world where physical courage is so common, and moral courage is so rare.
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Never, even as a child, would I bend to a rule.
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The Thames was all gold. God it was beautiful, so fine that I began working a frenzy, following the sun and its reflections on the water.
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For me, a landscape does not exist in its own right, since its appearance changes at every moment but the surrounding atmosphere brings it to life - the light and the air which vary continually. For me, it is only the surrounding atmosphere which gives subjects their true value.
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One is too taken up with all that one sees and hears in Paris, however strong one is, and what I do here [in Etretat] will at least have the merit of being unlike anyone else, at least I believe so, because it will simply be the expression of what I, and only I, have felt.
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I will bring lots of studies back with me so I can work on some big things at home.
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I am good at only two things, and those are gardening and painting.
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Color is my day-long obsession, joy and torment. To such an extent indeed that one day, finding myself at the deathbed of a woman who had been and still was very dear to me, I caught myself in the act of focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face.
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Nothing in the whole world is of interest to me but my painting and my flowers.
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