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I am pleased with the exhibition... everything on display was sold for a good price to decent people. It has been a long time since I believed that you could educate public taste.

Claude Monet

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Claude Monet
Age: 86 †
Born: 1840
Born: November 14
Died: 1926
Died: December 5
Graphic Artist
Painter
Paris
France
Monet
Klod Mone
Claude-Oscar Monet
Cl. Monet
Oscar Claude Monet
monet claude
claude oscar monet
monet c.
Claude Jean Monet
Claude Oscar Monet
C. Monet
Oscar-Claude Monet
Public
Pleased
Since
Sold
Everything
Display
Long
Educate
Good
Decent
Time
Believed
People
Price
Exhibition
Taste
Exhibitions

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These landscapes of water and reflection have become an obsession.
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One day Boudin said to me, 'Learn to draw well and appreciate the sea, the light, the blue sky.' I took his advice.
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I'm getting so slow at my work it makes me despair, but... I'm increasingly obsessed by the need to render what I experience, and I'm praying that I'll have a few more good years left to me.
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I sometimes feel ashamed that I am devoting myself to artistic pursuits while so many of our people are suffering and dying for us. It's true that fretting never did any good.
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My rejection at the Salon brought an end to my hesitation [to settle in Paris] since after this failure I can no longer claim to cope... alas, that fatal rejection has virtually taken the bread out of my mouth.
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For me, a landscape does not exist in its own right, since its appearance changes at any moment.
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The Thames was all gold. God it was beautiful, so fine that I began working a frenzy, following the sun and its reflections on the water.
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I do have a dream, a tableau of the bathing place of La Grenouillère, for which I've done some bad pochades (sketches), but it is a dream. Renoir, who have just spent a couple of months here, also wants to paint this subject.
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No one but myself knows the anxiety I go through and the trouble I give myself to finish paintings which do not satisfy me and seem to please so very few others.
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The older I become the more I realize of that I have to work very hard to reproduce what I search: the instantaneous. The influence of the atmosphere on the things and the light scattered throughout.
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I want the unobtainable. Other artists paint a bridge, a house, a boat, and that's the end. They are finished. I want to paint the air which surrounds the bridge, the house, the boat, the beauty of the air in which these objects are located, and that is nothing short of impossible.
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Techniques vary, art stays the same it is a transposition of nature at once forceful and sensitive.
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I must have flowers, always, and always.
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Despite my extremely modest prices, dealers and art lovers are turning their backs on me. It is very depressing to see the lack of interest shown in an art object which has no market value.
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I despise the opinion of the press and the so-called critics.
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Impressionism is only direct sensation. All great painters were less or more impressionists. It is mainly a question of instinct, and much simpler than [John Singer] Sargent thinks.
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Nothing in the whole world is of interest to me but my painting and my flowers.
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I've spent so long on some paintings that I no longer know what to think of them, and I am definitely getting harder to please nothing satisfies me.
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Despite my exhaustion I have a devil of a time getting to sleep because of the rats above my bed and a pig who lives beneath my room.
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One is too taken up with all that one sees and hears in Paris, however strong one is, and what I do here [in Etretat] will at least have the merit of being unlike anyone else, at least I believe so, because it will simply be the expression of what I, and only I, have felt.
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