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For me, the subject is of secondary importance: I want to convey what is alive between me and the subject.

Claude Monet

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Claude Monet
Age: 86 †
Born: 1840
Born: November 14
Died: 1926
Died: December 5
Graphic Artist
Painter
Paris
France
Monet
Klod Mone
Claude-Oscar Monet
Cl. Monet
Oscar Claude Monet
monet claude
claude oscar monet
monet c.
Claude Jean Monet
Claude Oscar Monet
C. Monet
Oscar-Claude Monet
Importance
Subjects
Alive
Art
Secondary
Convey
Subject

More quotes by Claude Monet

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I'm knocked out, I've never felt so physically and mentally exhausted, I'm quite stupid with it and long only for bed but I am happy.
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I see less and less... I need to avoid lateral light, which darkens my colors. Nevertheless, I always paint at the times of day most propitious for me, as long as my paint tubes and brushes are not mixed up... I will paint almost blind, as Beethoven composed completely deaf.
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My heart is forever in Giverny.
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Zaandam has enough to paint for a lifetime.
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One is too taken up with all that one sees and hears in Paris, however strong one is, and what I do here [in Etretat] will at least have the merit of being unlike anyone else, at least I believe so, because it will simply be the expression of what I, and only I, have felt.
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No one is an artist unless he carries his picture in his head before painting it, and is sure of his method and composition.
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Despite my extremely modest prices, dealers and art lovers are turning their backs on me. It is very depressing to see the lack of interest shown in an art object which has no market value.
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The older I become the more I realize of that I have to work very hard to reproduce what I search: the instantaneous. The influence of the atmosphere on the things and the light scattered throughout.
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When I work I forget all the rest.
Claude Monet
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I'm enjoying the most perfect tranquillity, free from all worries, and in consequence would like to stay this way forever, in a peaceful corner of the countryside like this.
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Techniques vary, art stays the same it is a transposition of nature at once forceful and sensitive.
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I am pleased with the exhibition... everything on display was sold for a good price to decent people. It has been a long time since I believed that you could educate public taste.
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The light constantly changes, and that alters the atmosphere and beauty of things every minute.
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Color is my day-long obsession, joy and torment. To such an extent indeed that one day, finding myself at the deathbed of a woman who had been and still was very dear to me, I caught myself in the act of focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face.
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Listening only to my instincts, I discovered superb things.
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It was at home I learned the little I know. Schools always appeared to me like a prison, and never could I make up my mind to stay there, not even for four hours a day, when the sunshine was inviting, the sea smooth, and when it was joy to run about the cliffs in the free air, or to paddle in the water.
Claude Monet
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Now, more than ever, I realize just how illusory my undeserved success has been. I still hold out some hope of doing better, but age and unhappiness have sapped my strength.
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One's better off alone, and yet there are so many things that are impossible to fathom on one's own. In fact it's a terrible business and the task is a hard one.
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I want the unobtainable. Other artists paint a bridge, a house, a boat, and that's the end. They are finished. I want to paint the air which surrounds the bridge, the house, the boat, the beauty of the air in which these objects are located, and that is nothing short of impossible.
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Never, even as a child, would I bend to a rule.
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