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I am very depressed and deeply disgusted with painting. It is really a continual torture.

Claude Monet

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Claude Monet
Age: 86 †
Born: 1840
Born: November 14
Died: 1926
Died: December 5
Graphic Artist
Painter
Paris
France
Monet
Klod Mone
Claude-Oscar Monet
Cl. Monet
Oscar Claude Monet
monet claude
claude oscar monet
monet c.
Claude Jean Monet
Claude Oscar Monet
C. Monet
Oscar-Claude Monet
Continual
Depressed
Torture
Depression
Deeply
Painting
Really
Disgusted

More quotes by Claude Monet

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The creditors are proving impossible to deal with and short of a sudden appearance on the scene of wealthy art patrons, we are going to be turned out of this dear little house where I led a simple life and was able to work so well. I do not know what will become of us.
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The real subject of every painting is light.
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My only desire is an intimate infusion with nature, and the only fate I wish is to have worked and lived in harmony with her laws.
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For me, a landscape does not exist in its own right, since its appearance changes at every moment but the surrounding atmosphere brings it to life - the light and the air which vary continually. For me, it is only the surrounding atmosphere which gives subjects their true value.
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All I did was to look at what the universe showed me, to let my brush bear witness to it.
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I want to paint the air in which the bridge, the house and the boat are to be found - the beauty of the air around them, and that is nothing less than the impossible.
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What could be said about me...a man to whom only his painting matters? And of course his garden and his flowers as well.
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The Thames was all gold. God it was beautiful, so fine that I began working a frenzy, following the sun and its reflections on the water.
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Perhaps it's true that I'm very hard on myself, but that's better than exhibiting mediocre work... too few were satisfactory enough to trouble the public with.
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Techniques vary, art stays the same it is a transposition of nature at once forceful and sensitive.
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For me, the subject is of secondary importance: I want to convey what is alive between me and the subject.
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I haven't many years left ahead of me and I must devote all my time to painting, in the hope of achieving something worthwhile in the end, something if possible that will satisfy me.
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All of a sudden I had the revelation of how enchanting my pond was.
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My rejection at the Salon brought an end to my hesitation [to settle in Paris] since after this failure I can no longer claim to cope... alas, that fatal rejection has virtually taken the bread out of my mouth.
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I am pleased with the exhibition... everything on display was sold for a good price to decent people. It has been a long time since I believed that you could educate public taste.
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I'm not performing miracles, I'm using up and wasting a lot of paint.
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I'm enjoying the most perfect tranquillity, free from all worries, and in consequence would like to stay this way forever, in a peaceful corner of the countryside like this.
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I work at my garden all the time and with love. What I need most are flowers, always. My heart is forever in Giverny.
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Paint what you really see, not what you think you ought to see not the object isolated as in a test tube, but the object enveloped in sunlight and atmosphere, with the blue dome of Heaven reflected in the shadows.
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I know that to paint the sea really well, you need to look at it every hour of every day in the same place so that you can understand its way in that particular spot and that is why I am working on the same motifs over and over again, four or six times even.
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