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Art is a technique of communication. The image is the most complete technique of all communication.
Claes Oldenburg
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Claes Oldenburg
Age: 95
Born: 1929
Born: January 28
Designer
Drawer
Graphic Artist
Painter
Performance Artist
Printmaker
Sculptor
Sthlm
Ḳlaʼes Oldenberg
Claes Thure Oldenburg
Technique
Complete
Image
Communication
Art
More quotes by Claes Oldenburg
Duchamp is known for calling a thing art, rather than making it. A lot of that is picked up in pop art, too.
Claes Oldenburg
Food is like clay you can sculpt with it. Also it has an odor, and you can eat it. I don't eat a lot of cake, but I do make cakes! And unlike the Campbell's Soup Cans, my food is a humanized form and scale.
Claes Oldenburg
I am for an art that takes its form from the lines of life itself, that twists and extends and accumulates and spits and drips, and is heavy and coarse and blunt and sweet and stupid as life itself.
Claes Oldenburg
Of course, the '60s was a study in decadence. Everything just got worse and worse, and at the end of the '60s, everything was so horrible that people were killing each other.
Claes Oldenburg
I went back to the Art Institute, then spent the summer at the Ox-Bow School in Saugatuck, Michigan. That's what really awakened me. I made a lot of oil paintings and my first performance.
Claes Oldenburg
I am for an art of things lost or thrown away. . . I am for an art that one smokes like a cigarette. . . I am for an art that flutters like a flag.
Claes Oldenburg
Andy [Warhol] was on the scene, but he wasn't an artist at first he was more an illustrator. He was always surrounded by about ten people who worshipped him. He'd go to a party and they would all come along. But he was drawing shoes and that sort of thing.
Claes Oldenburg
I knew I wasn't that good a writer, and all I could remember was that I could draw. I'm better at drawing than I am at writing.
Claes Oldenburg
The art world was very small and the people got together at parties. There was less commercialism.
Claes Oldenburg
There's always been a potential erotic possibility with objects.
Claes Oldenburg
Ox-Bow was a very free place, very open. You could do whatever you wanted to do.
Claes Oldenburg
I just started to do my own thing for about a year and a half, and I worked in the evening selling phonograph records. Then I said to myself, I'm afraid I have to go to New York after all.
Claes Oldenburg
I'm in favor of an art that does something other than just sit on its ass in a museum.
Claes Oldenburg
Because my work is naturally non-meaningful, the meaning found in it will remain doubtful and inconsistent - which is the way it should be. All that I care about is that, like any startling piece of nature, it should be capable of stimulating meaning.
Claes Oldenburg
It was easy to get a job at the Cedar Bar because people came and went, but I didn't like the atmosphere. Instead, I got a job at Cooper Union Library. I stayed at Cooper Union for seven years it was my salvation. While I worked there, I also read books of every kind.
Claes Oldenburg
I am for the art of underwear and the art of taxicabs. I am for the art of ice cream cones dropped on concrete.
Claes Oldenburg
I am for an art that tells you the time of day, or where such and such a street is. I am for an art that helps old ladies across the street.
Claes Oldenburg
I am for an art that grows up not knowing it is art at all.
Claes Oldenburg
All the fun is locking horns with impossibilities.
Claes Oldenburg
They asked me to do a show, and I was planning on showing my figure paintings. But my friends told me I shouldn't - the paintings were good but a little old-fashioned. They said, Why don't you show the other stuff? I had also been making rather strange objects, more in the Freudian tradition.
Claes Oldenburg