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One reason I was interested in photography was to get away from the preciousness of the art object.
Cindy Sherman
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Cindy Sherman
Age: 70
Born: 1954
Born: January 19
Director
Feminist
Film Director
Photographer
Glen Ridge
New Jersey
Cynthia Morris Sherman
Objects
Away
Art
Preciousness
Reason
Cindy
Photographer
Object
Photography
Interested
More quotes by Cindy Sherman
I am fine, though it is hard to think of what kind of work to make at this point, other than decorative, escapist or abstract. I suppose I'll explore one or all of these things.
Cindy Sherman
I wanted to create something that people could relate to without having read a book about it beforehand.
Cindy Sherman
I was feeling guilty in the beginning it was frustrating to be successful when a lot of my friends weren't. Also, I was constantly being reminded of that by people in my family making jokes.
Cindy Sherman
I’m trying to make other people recognize something of themselves rather than me.
Cindy Sherman
My dad was such a bigot. He was a horrible, self-centred person. He was really racist and he'd talk about the Jews and blacks and Catholics even.
Cindy Sherman
Inconsiderate, rude behavior drives me nuts. And I guess the inconsiderate rudeness of social ineptitude definitely fuels my work.
Cindy Sherman
I didn't have any interest in traditional art.
Cindy Sherman
Every time you have to come up with a new body of work for a new show, you're aware that people are just ready to rip you apart, they're just waiting for you to fall or make the slightest trip up.
Cindy Sherman
I think I always resented the fact that people thought I was trying to entertain them with my multifaceted, chameleonlike character changes. Although I liked doing that, I wasn't out to fool people and say 'Guess which one is me.'
Cindy Sherman
The way I see it, as soon as I make a piece I’ve lost control of it.
Cindy Sherman
Some people have told me they remember the film that one of my images is derived from, but in fact I had no film in mind at all.
Cindy Sherman
I think people are more apt to believe photographs, especially if it’s something fantastic. They’re willing to be more gullible. Sometimes they want fantasy. Even if they know it’s fake they can believe anything. People are accustomed to being told what to believe in.
Cindy Sherman
I feel I'm anonymous in my work. When I look at the pictures, I never see myself they aren't self-portraits. Sometimes I disappear.
Cindy Sherman
[My work is] maybe about me maybe not wanting to be me and wanting to be all these other characters. Or at least try them on.
Cindy Sherman
The work is what it is and hopefully it's seen as feminist work, or feminist-advised work, but I'm not going to go around espousing theoretical bullshit about feminist stuff.
Cindy Sherman
People are always trying to find the next groovy thing, and it hasn't gone back to painting... I'd like it to go back to painting. I'm sick of all this photography and video. There's so much of it, it's almost annoying.
Cindy Sherman
I want[ed] to make a show of really big pictures, because you see male artists doing it all the time. It just seemed like such a big egotistical thing. I thought, 'I don't know that many women that really do that.... Damn it, I'm gonna do that-make this really big picture.'
Cindy Sherman
I was supporting myself, but nothing like the guy painters, as I refer to them. I always resented that actually.. we were all getting the same amount of press, but they were going gangbusters with sales.
Cindy Sherman
I didn't want to make 'high' art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn't thinking in terms of precious prints or archival quality I didn't want the work to seem like a commodity.
Cindy Sherman
I can be fearlessly strong at times to protect an inner frailty.
Cindy Sherman