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My dad was such a bigot. He was a horrible, self-centred person. He was really racist and he'd talk about the Jews and blacks and Catholics even.

Cindy Sherman

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Cindy Sherman
Age: 70
Born: 1954
Born: January 19
Director
Feminist
Film Director
Photographer
Glen Ridge
New Jersey
Cynthia Morris Sherman
Even
Jew
Really
Horrible
Centred
Catholic
Bigot
Dad
Bigots
Talk
Catholics
Persons
Blacks
Person
Jews
Self
Racist

More quotes by Cindy Sherman

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I was feeling guilty in the beginning it was frustrating to be successful when a lot of my friends weren't. Also, I was constantly being reminded of that by people in my family making jokes.
Cindy Sherman
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I am fine, though it is hard to think of what kind of work to make at this point, other than decorative, escapist or abstract. I suppose I'll explore one or all of these things.
Cindy Sherman
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I am always surprised at all the things people read into my photos, but it also amuse me. That may be because I have nothing specific in mind when I'm working. My intentions are neither feminist nor political. I try to put double or multiple meanings into my photos, which might give rise to a greater variety of interpretations.
Cindy Sherman
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If I knew what the picture was going to be like I wouldn’t make it. It was almost like it was made already – the challenge is more about trying to make what you can’t think of.
Cindy Sherman
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I think people are more apt to believe photographs, especially if it’s something fantastic. They’re willing to be more gullible. Sometimes they want fantasy. Even if they know it’s fake they can believe anything. People are accustomed to being told what to believe in.
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Every time you have to come up with a new body of work for a new show, you're aware that people are just ready to rip you apart, they're just waiting for you to fall or make the slightest trip up.
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Inconsiderate, rude behavior drives me nuts. And I guess the inconsiderate rudeness of social ineptitude definitely fuels my work.
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One reason I was interested in photography was to get away from the preciousness of the art object.
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Believing in one’s own art becomes harder and harder when the public response grows fonder.
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I didn't think of what I was doing as political. To me it was a way to make the best out of what I liked to do privately, which was to dress up.
Cindy Sherman
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The work is what it is and hopefully it's seen as feminist work, or feminist-advised work, but I'm not going to go around espousing theoretical bullshit about feminist stuff.
Cindy Sherman
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I feel I'm anonymous in my work. When I look at the pictures, I never see myself they aren't self-portraits. Sometimes I disappear.
Cindy Sherman
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I didn't want to make 'high' art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn't thinking in terms of precious prints or archival quality I didn't want the work to seem like a commodity.
Cindy Sherman
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Nowadays, with digital printing, it's so easy to make everything perfect, which is not always a good idea. Sometimes the mistakes are really what make a piece.
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I want[ed] to make a show of really big pictures, because you see male artists doing it all the time. It just seemed like such a big egotistical thing. I thought, 'I don't know that many women that really do that.... Damn it, I'm gonna do that-make this really big picture.'
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I didn't have any interest in traditional art.
Cindy Sherman
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[My work is] maybe about me maybe not wanting to be me and wanting to be all these other characters. Or at least try them on.
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I think I always resented the fact that people thought I was trying to entertain them with my multifaceted, chameleonlike character changes. Although I liked doing that, I wasn't out to fool people and say 'Guess which one is me.'
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I wanted to create something that people could relate to without having read a book about it beforehand.
Cindy Sherman
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The models have always been the least interesting thing about fashion.
Cindy Sherman