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I think it's necessary to keep moving forward. I've always said that nostalgia is death, really for anyone creative.

Cillian Murphy

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Cillian Murphy
Age: 48
Born: 1976
Born: May 25
Actor
Composer
Disc Jockey
Film Actor
Musician
Screenwriter
Stage Actor
Television Actor
Television Producer
Voice Actor
Douglas
County Cork
Always
Forward
Think
Necessary
Thinking
Creative
Anyone
Moving
Death
Keep
Really
Nostalgia

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If you behave like a celebrity, then people will treat you like a celebrity, and if you don't, they won't. There's not much to write about me in the tabloids.
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We were able to shoot in a lot of the locations where the mission actually happened and these guys existed, so that was kind of very affecting. We had a Czech crew and a lot of Czech actors. There's a great deal of authenticity to the project [Anthropoid], and Sean [Ellis] was very anxious that that was the case from the beginning.
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I think every director has a different methodology.
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It's obvious that if you're going to play a character you need to amass information about that person and about their environment or their era that they're in and use as little or as much as necessary
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I think for me with theater, I need to take a break and then fall in love with it again. And then go do it again.
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I personally think if something's not a challenge there's no point doing it because you're not gonna learn much.
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I feel very lucky to be making good work still. The confidence of youth, or that sort of competitiveness you get when you're 22 or 23, the impatience - that's probably been tempered. Hopefully I'm slightly better company.
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I try not to think retrospectively. It's important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you're going, Yeah, yeah, I can do that, then that's kind of a red flag.
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Every Irish person of my generation and earlier, we were raised Catholic and we'd have to learn it in school, we'd to learn the catechism by rote.
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For me it's always been about the stories, not what medium. The medium is secondary to the stories.
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I'm kind of loath to pick one project over another or whatever. You go into every film sort of thinking it'll be your best work, and that's necessary. I think in this business, you really have to be forward-looking the whole time. I think nostalgia is sort of the death knell for any artist.
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The best roles you have to fight for. You have to really want to do it and you have to go after it.
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I'm Irish and very proud of being Irish, but as an actor, your extraction should be secondary, really. You should be able to embody whatever character it is, wherever the character comes from. That's always been important, for me. I'm an actor who's Irish, not an Irish actor.
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I take my hat off to the ladies. The amount of grooming-plucking and shaving and all the other things men never have to do. I went down and spent time with transvestites in London in the clubs and all that. Got an insight to that world, and it's a mad world, but they are very warm and very open people. It was a great experience.
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I'm interested in pressure, I'm interested in duress. All the great works of art, or film or literature, in my opinion, have elements of those in them.
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You need to be as clean of a slate as you can be, as an actor. You have to try to be open to every experience.
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The medium is secondary to the stories.
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I like the little bit of distance that London affords me and I like living in a world capital. I like having the culture at my fingertips.
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I don't have a burning passion to live in America per se but I would certainly like to work there.
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I'm not interested in a good man's life. I'm interested in contradiction.
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