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What's kind of happening is the conflict over football might be a class conflict where there is a percentage of people who have no relationship to physicality and a percentage of the populace who still does.

Chuck Klosterman

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Chuck Klosterman
Age: 52
Born: 1972
Born: June 5
Author
Journalist
Music Critic
Breckenridge
Minnesota
Charles John Klosterman
Doe
Percentages
Still
Happenings
Might
Happening
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Conflict
People
Football
Relationship
Populace
Class
Physicality
Stills
Percentage

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Every relationship is fundamentally a power struggle, and the individual in power is whoever likes the other person less.
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Who Am I? Or (Perhaps More Accurately) Who Else Could Be Me?
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To me, every interview, even if you love the artist, needs to be somewhat adversarial. Which doesn't mean you need to attack the person, but you do need to look at it like you're trying to get information that has not been written about before.
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Booze is the greatest of all equalizers. Rich drunks and poor drunks both pass out the same way.
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If you can't swim, the idea of being in nine feet of water is terrifying, much less the ocean.
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I think this is the kind of thing where we're rapidly moving toward an age where most of the populace will be almost unable to imagine life without an Internet component interlocked with it.
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I love sports, but I don't like live sporting events, because I don't like sitting in the crowd. I like listening to records, but I don't like going to concerts, because I don't like standing in the crowd. I guess I just don't like being in the crowd itself.
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Instead, we were given a publication called the Weekly Reader, which was like a newspaper for four-foot illiterates.
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Life is rarely about what happened it's mostly about what we think happened.
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[On political correctness:] Any intended message mattered less than the received message, and every received message could be interpreted in whatever way the receiver wanted.
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If I basically view criticism as sort of an interesting form of writing about oneself, an interesting form of autobiography, then I don't feel any pressure to have any kind of authoritative, universal voice. That kind of thing has never interested me.
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If someone feels negative about the way society or culture seems to be going, what it probably suggests is that it's just moving away from the state that they are comfortable with or used to. It's understandable why someone would feel that way.
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The essays are very solipsistic and self-absorbed, I'm totally conscious of that. To me, book writing is fun, and I basically just write about things that are entertaining to myself.
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Even though I wanted to experience all these things I was interested in, I couldn't get them. So I had to think critically and culturally about what was available.
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Necessity used to be the mother of invention, but then we ran out of things that were necessary. The postmodern mother of invention is desire we don’t really “need” anything new, so we only create what we want.
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I think anyone who's not as good a writer as me is absolutely a hack, and I think anybody who's a slightly better writer than me is brilliant. So of course that makes me a horrible critic when it comes to books, because I can't distance my own experience from what I'm doing.
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The most wretched people in the world are those who tell you they like every kind of music 'except country.' People who say that are boorish and pretentious at the same time.
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I honestly believe that people of my generation despise authenticity, mostly because they're all so envious of it.
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I hate the point where you have to get off the ladder, or get back on. I don't know if that's a fear of heights, or literally a fear of falling. I want to be afraid to fall. That seems like a good fear.
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You can't go into the office and be a jerk. You can't yell at your kids or your wife or your husband for no reason. That makes you a terrible person.
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