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Unless you're Shannon Hoon (of Blind Melon), dying is the only thing that guarantees a rock star will have a legacy that stretches beyond temporary relevance.

Chuck Klosterman

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Chuck Klosterman
Age: 52
Born: 1972
Born: June 5
Author
Journalist
Music Critic
Breckenridge
Minnesota
Charles John Klosterman
Unless
Guarantees
Beyond
Temporary
Stars
Legacy
Melon
Thing
Star
Shannon
Blind
Melons
Rock
Stretches
Rocks
Relevance
Dying
Blindness

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If you're doing an interview, you need conversational tension. After you talk to them, you're not going to have a relationship with them, they're not going to like you, they're not going to be your friend.
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I almost never get lonely. I love being alone. I'm glad I'm married, and I love my wife. But there's never been a situation in my life where my unhappiness was based on loneliness.
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Soccer is like punk rock: The product is not necessarily terrible. The problem is the fan base.
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When I'm walking around, I'm usually drinking pop, so I can't have a mask on. That's why I couldn't be a surgeon.
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Sarcasm is when you tell someone the truth by lying on purpose.
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As an adult, the only people who care about horror movies are academics. No one loves to talk about horror films more than somebody with a Ph.D. in cultural studies at a university.
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We would sit in the living room, drink a case of Busch beer, and throw the empty cans into the kitchen for no reason whatsoever, beyond the fact that it was the most overtly irresponsible way for any two people to live.
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I like storms. I would say I actively like stormy weather. I would not be afraid of them. I think that if I had not pursued journalism, I think storm-chasing would've been a really fun career.
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It's possible for me to imagine a generation of people maybe two generations removed from you who might decide that we have an adversarial relationship with technology.
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In and of itself, nothing really matters. What matters is that nothing is ever in and of itself.
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First, you must love yourself. And if you do that convincingly enough, others will love you too much.
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I look at camping the same way I look at horror movies. All the years that humans fought to get into caves and into shelters - it almost seems sacrilegious to go outside and sleep without a roof. We work so hard to have these things!
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If I'm around spiders, my fear isn't so much the spider, but my fear is that I'm somewhere rustic and that spiders are crawling around. I must be in the woods.
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I hate the point where you have to get off the ladder, or get back on. I don't know if that's a fear of heights, or literally a fear of falling. I want to be afraid to fall. That seems like a good fear.
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Different critics go to different lengths to disagree with that sentiment, but ultimately, they're the person experiencing this art, and whatever judgment or taste they use is internal, and says more about them than about the record they're writing about.
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The worst thing you can do to anybody trying to be creative is to demand participation in their vision.
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Perhaps we humans are still in command, and perhaps there really will be a conventional robot war in the not-so-distant future. If so, let's roll.
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It's peculiar what you remember when you're not trying.
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If you play I Don't Want To Know by Fleetwood Mac loud enough -- you can hear Lindsey Buckingham's fingers sliding down the strings of his acoustic guitar. ...And we were convinced that this was the definitive illustration of what we both loved about music we loved hearing the INSIDE of a song.
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I think anyone who's not as good a writer as me is absolutely a hack, and I think anybody who's a slightly better writer than me is brilliant. So of course that makes me a horrible critic when it comes to books, because I can't distance my own experience from what I'm doing.
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