Quote

If you stare long enough at anything, you will start to find similarities. The word “coincidence” exists in order to stop people from seeing meaning where none exists.

Chuck Klosterman

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Chuck Klosterman
Age: 52
Born: 1972
Born: June 5
Author
Journalist
Music Critic
Breckenridge
Minnesota
Charles John Klosterman
Enough
Meaning
Long
Stop
Similarities
People
Seeing
Similarity
Start
Stare
Word
Coincidence
Order
Staring
Anything
Exists
Find
None

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Because I'm 44, I feel kind of lucky that I lived through this period where I started my career where there was no Internet at all, and now when I finish it, there will be nothing but the Internet.
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Observing someone without context amplifies the experience. The more we know, the less we are able to feel.
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It has always been my belief that people are remembered for the sum of their accomplishments but defined by their singular failure.
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The essays are different because ultimately it's things I'm interested in, and I'm really just writing about myself and using those subjects as a prism.
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Unless you're Shannon Hoon (of Blind Melon), dying is the only thing that guarantees a rock star will have a legacy that stretches beyond temporary relevance.
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I think this is the kind of thing where we're rapidly moving toward an age where most of the populace will be almost unable to imagine life without an Internet component interlocked with it.
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It's peculiar what you remember when you're not trying.
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It is important to have questionable friends you can trust unconditionally.
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We’re all tourists, sort of. Life is tourism, sort of. As far as I’m concerned, the dinosaurs still hold the lease on this godforsaken rock.
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The most wretched people in the world are those who tell you they like every kind of music 'except country.' People who say that are boorish and pretentious at the same time.
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I hate the point where you have to get off the ladder, or get back on. I don't know if that's a fear of heights, or literally a fear of falling. I want to be afraid to fall. That seems like a good fear.
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If I basically view criticism as sort of an interesting form of writing about oneself, an interesting form of autobiography, then I don't feel any pressure to have any kind of authoritative, universal voice. That kind of thing has never interested me.
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The worst thing you can do to anybody trying to be creative is to demand participation in their vision.
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And I spilled gravy on my Carolina sweater, because I am alive.
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Anybody who says they are a good liar obviously is not, because any legitimately savvy liar would always insist they're honest about everything.
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I honestly believe that people of my generation despise authenticity, mostly because they're all so envious of it.
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I want fake love. But that's all I want, and that's why I can't have it.
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As an adult, the only people who care about horror movies are academics. No one loves to talk about horror films more than somebody with a Ph.D. in cultural studies at a university.
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Let's face it: Sadness and evil are always more believable than happiness and love. When a movie reviewer calls a film realistic, everyone knows what that means--it means the movie has an unhappy ending.
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Different critics go to different lengths to disagree with that sentiment, but ultimately, they're the person experiencing this art, and whatever judgment or taste they use is internal, and says more about them than about the record they're writing about.
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