Quote

I have come to know Bugs so well that I no longer have to think about what he is doing in any situation. I let the part of me that is Bugs come to the surface, knowing, with regret, that I can never match his marvelous confidence.

Chuck Jones

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Chuck Jones
Age: 89 †
Born: 1912
Born: September 21
Died: 2002
Died: February 22
Actor
Animation Director
Animator
Comics Artist
Film Director
Film Producer
Screenwriter
Spokane
Washington
Charles Martin Jones
Charles M. Jones
Wells
Match
Come
Surface
Well
Regret
Never
Confidence
Think
Longer
Thinking
Situation
Knowing
Bugs
Part
Marvelous

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Dell is to a degree in the penalty box because expectations and probable results have gotten ratcheted down.
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An idea has no worth at all without believable characters to implement it a plot without characters is like a tennis court without players. Daffy Duck is to a Buck Rogers story what John McEnroe was to tennis. Personality. That is the key, the drum, the fife. Forget the plot.
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Animation isn't the illusion of life it is life
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The author O. Henry taught me about the value of the unexpected. He once wrote about the noise of flowers and the smell of birds—the birds were chickens and the flowers dried sunflowers rattling against a wall.
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Everything on Saturday morning [cartoons] moves alike that's one of the reasons it's not animation. The drawings are different, but everybody acts the same way, their feet move the same way, and everybody runs the same way. It doesn't matter whether it's an alligator or a man or a baby or anything, they all move the same.
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Fog and smog should not be confused and are easily separated by color. Fog is about the color of the insides of an old split wet summer cottage mattress smog is the color and consistency of a wet potato chip soaked in a motorman’s glove.
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I started reading when I was about three, a little over three.
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The only time a wife listens to her husband is when he’s asleep.
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We must not confuse distortion with innovation distortion is useless change, art is beneficial change.
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There's only one test of a great children's book, or a great children's film, and that is this: If it can be read or viewed with pleasure by adults, then it has the chance to be a great children's film, or a great children's book.
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The name 'Chuck Jones', according to my uncle, limited my choice of profession to second baseman or cartoonist.
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The close-up, according to D.W. Griffith, allows subtle changes of facial expression-the raising of an eyebrow or the flicker of a smile-to become part of the action.
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The whole essence of good drawing - and of good thinking, perhaps - is to work a subject down to the simplest form possible and still have it believable for what it is meant to be.
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In timing a film, we used to assume that sneaks move slowly. This was great for animators-thirty-six to forty-eight drawings for a single step-but it was sheer hell for the pace of the picture. So the rapid tiptoe was invented.
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Fog and smog should not be confused and are easily separated by color.
Chuck Jones
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Eschew the ordinary, disdain the commonplace
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Disney was not a good animator, he didn't draw well at all, but he was always a great idea man, and a good writer.
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Every artist has thousands of bad drawings in them and the only way to get rid of them is to draw them out.
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Well, directing is doing the key drawings, not the key animation, mind you.
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Once you have heard a strange audience burst into laughter at a film you directed, you realize what the word joy is all about.
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