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I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings.

Chuck Close

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Chuck Close
Age: 81 †
Born: 1940
Born: July 5
Died: 2021
Died: August 19
Drawer
Graphic Artist
Painter
Photographer
Monroe
Washington
Charles Thomas Close
Charles Close
Chuck Close (1940-2021)
Charles Close (1940-2021)
Making
Oil
Would
Ultimately
Basically
Pastels
Bigger
Pastel
Painting
Square
Color
Squares
Pieces
Paintings
Started
Colors

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I never said the camera was truth. It is, however, a more accurate and more objective way of seeing.
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Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object.
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All the best ideas come out of the process they come out of the work itself.
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Get yourself in trouble. If you get yourself in trouble, you don't have the answers. And if you don't have the answers, your solution will more likely be personal because no one else's solutions will seem appropriate. You'll have to come up with your own.
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Inspiration is for amateurs - the rest of us just show up and get to work. And the belief that things will grow out of the activity itself and that you will - through work - bump into other possibilities and kick open other doors that you would never have dreamt of if you were just sitting around looking for a great art idea.
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I have always attempted to create images that deliver the maximum amount of information about the subject.
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There are so many artists that are dyslexic or learning disabled, it's just phenomenal. There's also an unbelievably high proportion of artists who are left-handed, and a high correlation between left-handedness and learning disabilities.
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I don't believe in inspiration. Inspiration is for amateurs. Some of the time you know you're cooking, and the rest of the time, you just do it.
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I wanted to translate from one flat surface to another.In fact, my learning disabilities controlled a lot of things. I don't recognize faces, so I'm sure it's what drove me to portraits in the first place.
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I think women realise that I love women, and very often women seem to love me.
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I love sculpture, and minimal sculpture is really my favorite stuff, but I wasn't very good at it, and I don't think in a three-dimensional way.
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Ease is the enemy of the artist. When things get too easy, you're in trouble.
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It's always a pleasure to talk about someone else's work.
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I always thought that one of the reasons why a painter likes especially to have other painters look at his or her work is the shared experience of having pushed paint around.
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Like any corporation, I have the benefit of the brainpower of everyone who is working for me. It all ends up being my work, the corporate me, but everyone extends ideas and comes up with suggestions.
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I knew from the age of five what I wanted to do. The one thing I could do was draw. I couldn't draw that much better than some of the other kids, but I cared more and I wanted it badly.
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Art saved my life in two ways. It made me feel special, because I could do things my friends couldn't, but it also gave me a way to demonstrate to my teacher that, despite the fact that I couldn't write a paper or do math, I was paying attention.
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It's like a magic well. You think you know everything about [a] photograph, you think you've gotten everything out of it, and all of a sudden I see things in it I'd never seen before.
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You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same.
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I learned you could suffer a terrible tragedy and still be happy again.
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