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Lon Chaney and Boris Karloff didn't like the word 'horror'. They, like I, went for the French description: 'the theatre of the fantastique'.

Christopher Lee

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Christopher Lee
Age: 93 †
Born: 1922
Born: May 27
Died: 2015
Died: June 7
Actor
Character Actor
Film Actor
Film Producer
Military Personnel
Opera Singer
Orator
Photographer
Singer
Soe Agent
Stage Actor
Sir Christopher Frank Carandini Lee
Christopher Frank Carandini Lee
Flight Lieutenant Sir Christopher Frank Carandini Lee
Horror
Went
Word
Didn
Like
Boris
Description
French
Theatre

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I was once asked what I thought was the most disquieting thing you could see on the screen and I said, An open door.
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The thing I have always tried to do is surprise people, to present them with something they didn't expect.
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I haven't spent my entire career playing the guy in the bad hat, although I have to say that the bad guy is frequently much more interesting than the good guy.
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We don't always get the kind of work we want, but we always have a choice of whether to do it with good grace or not.
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In Britain, any degree of success is met with envy and resentment.
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As far as I am concerned, Don Quixote is the most metal fictional character that I know. Single handed, he is trying to change the world, regardless of any personal consequences.
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The secret to a long marriage in the film industry? Marry someone wonderful, as I did. And always have her come along on location.
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Making films has never just been a job to me, it is my life. I have some interests outside of acting - I sing and I've written books, for instance - but acting is what keeps me going, it's what I do, it gives life purpose.
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If I had any deadly secrets, I wouldn't still be alive.
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I thought that people should know about the dangers of Satanism, and diabolism does exist - there's no question about it.
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I wasn't a spy. I'd have been spotted in five seconds. Yes, I was in intelligence, but that covered a multitude of things.
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I lived for 10 years in Los Angeles, and the one element that surpasses everything else - that you are very conscious of - is fear. You can smell it.
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Films are now made by accountants. They pick a pretty young female or male face out of the air and give them a part - not because they think that person is right for it or is ready for it, but because they think that person will make them money.
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I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
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I was always fascinated by fairy stories, fantasy, you know, demons, necromancers, gods and goddesses, everything that is out of our kin and out of our everyday world. I was always interested in enchantment and magicians and still am.
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When I first read Lord of the Rings I wanted to see a film of it. But at that time the technology wasn't there, there was no such thing as CGI.
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When the Second World War finished, I was 23 and already I had seen enough horror to last me a lifetime. I'd seen dreadful, dreadful things, without saying a word. Seeing horror depicted on film doesn't affect me much.
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To be a legend, you've either got to be dead or excessively old.
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What's really important for me is, as an old man, I'm known by my own generation and the next generation know me, too.
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It's a band singing on how metal should be played, the effect it has on the band and its listeners.
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