I am known for what I'm do. But I'm not a five-year-old Hong Konger, I'm not a kid demonstrating in the streets.

I really think music and movement - dance, you know - and literature inform my visuals. I think film is also based in dance. The relationship between me, the camera and the actor is always a dance.

Women are one of the most important segments of the adventure travel industry. Women make the vast majority of travel decisions in families - not only the destinations, but the activities. They are the predominant adventure travel planners.

I think the point of cinematography, of what we do, is intimacy.

My best film is always my next film. I couldn't make Chungking Express now, because of the way I live and drink I've forgotten how I did it. I don't believe in film school or film theory. Just try and get in there and make the bloody film, do good work and be with people you love.

I know I will die with either a camera in hand or a woman on top - what more could one ask of life?