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I was never afraid on stage. That's where I was the least afraid. I could just do what I do and I had the amplification and the lights.

Christopher Bollen

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Christopher Bollen
Age: 48
Born: 1975
Born: November 26
Journalist
Novelist
Cincinnati
Ohio
Lights
Afraid
Stage
Least
Light
Never
Amplification

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The death drive is parasitic. It runs off of other drives, leeching off of them.
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There seem to be two ways of generating interest from the reader: withholding information or by telling the reader on the first page exactly what's going to happen.
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It's really hard to write about art in general. But it's exceptionally hard to fictionalize art and make work that isn't a parody, or is something that could withstand critique and exist in the art world as a valuable object, or a true piece.
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My strength is character. I'm pretty good at building walking-talking humans with brains like beehives.
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One day I want to write a full-on horror book.
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We've come under the influence of television, where in all honesty we can follow a show that could just get cancelled midway through the season and the entire plotline never resolves itself.
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My dad liked more macho adventure books like Shogun or spy novels. My mother reads murder mysteries. In fact, so does her mother, my grandma. That's where I trace the familial line of murder mystery obsession.
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It's always fun to welcome new people into your life. When dating anyone or becoming friends with anyone who has a different profession, a different life, it opens doors. All my friends here do such different creative things. It's so awesome.
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I was obsessed with Agatha Christie in sixth grade.
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I smoke cigarettes when I write, which is disgusting, but it really helps me.
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Every time I try to write on vacation, I fail miserably.
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If you've been in the art world for more than eight years, you realize another generation is making the exact same work as the previous generation - but treating it like it's never been done before. It becomes very cyclical very quickly.
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I'm convinced I was the only kid ever who had a Death on the Nile [1978] movie poster and a Murder on the Orient Express [1974] movie poster on his bedroom walls.
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Secrets are never secure because they are always at risk of being found out.
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Looking back, [R.E.M.]videos, by in large, have always been art films. I'm thinking of Losing My Religion. That's a landmark piece.
Christopher Bollen
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There is a value to moving more slowly through a story.
Christopher Bollen
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The first horror movie I saw, in first or second grade, was My Bloody Valentine [1981], where there's a deranged killer in a miner mask stalking a small coal town.
Christopher Bollen
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There is something very romantic about the orphan figure in American literature.
Christopher Bollen
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I was a very scared child.
Christopher Bollen
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You find when you're writing a detective story that you're actually not trying to solve anything. You're trying to stop the reader from solving the puzzle.
Christopher Bollen