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The death drive is parasitic. It runs off of other drives, leeching off of them.
Christopher Bollen
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Christopher Bollen
Age: 48
Born: 1975
Born: November 26
Journalist
Novelist
Cincinnati
Ohio
Parasitic
Drives
Runs
Drive
Death
Running
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I had been going out to Orient for several years.
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It's just as political, what you do in the bedroom is just as political as what you do in public.
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I smoke cigarettes when I write, which is disgusting, but it really helps me.
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An album for me as a teenager in the '70s was a fully formed concept. It was a body of work from an artist I liked or trusted or who excited me. Maybe one of the songs is really poppy and you listen to it on the radio as a hit single and then more of the world is about to find out about this artist by buying the record.
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Why I love chess and tennis - the volleying aspect, and the fact that your competitors' reactions and motivations and bluffs come into the game itself.
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I was never afraid on stage. That's where I was the least afraid. I could just do what I do and I had the amplification and the lights.
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I'm convinced I was the only kid ever who had a Death on the Nile [1978] movie poster and a Murder on the Orient Express [1974] movie poster on his bedroom walls.
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Going out into the country after living in the city is a loss of control.
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Safety, reputation, their lives, their friends, and their world. Writers typically try to avoid that because it's not expedient.
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I had lived in New York since 1996, sometimes in the worst neighborhoods, without even locking my door half the time.
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There is something very romantic about the orphan figure in American literature.
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I've never had a mentor. I've always wanted one. I'm actually really disappointed that nobody took my under their wing.
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There's a structure to a detective story that I can easily understand. I understand playing that particular game. It's like solving a puzzle. Or creating a puzzle.
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My parents were great parents, but for some bizarre reason they allowed me to watch whatever I wanted on TV, we had cable. And I constantly watched horror movies.
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We've come under the influence of television, where in all honesty we can follow a show that could just get cancelled midway through the season and the entire plotline never resolves itself.
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Secrets are never secure because they are always at risk of being found out.
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There seem to be two ways of generating interest from the reader: withholding information or by telling the reader on the first page exactly what's going to happen.
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When you create a fence, you keep people out, but you also limit your mobility.
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My dad liked more macho adventure books like Shogun or spy novels. My mother reads murder mysteries. In fact, so does her mother, my grandma. That's where I trace the familial line of murder mystery obsession.
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You find when you're writing a detective story that you're actually not trying to solve anything. You're trying to stop the reader from solving the puzzle.
Christopher Bollen