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Why I love chess and tennis - the volleying aspect, and the fact that your competitors' reactions and motivations and bluffs come into the game itself.
Christopher Bollen
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Christopher Bollen
Age: 49
Born: 1975
Born: November 26
Journalist
Novelist
Cincinnati
Ohio
Motivation
Aspect
Game
Bluffs
Games
Motivations
Fact
Competitors
Facts
Reactions
Come
Tennis
Love
Chess
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I was a very scared child.
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There is something very romantic about the orphan figure in American literature.
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There is a value to moving more slowly through a story.
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When you create a fence, you keep people out, but you also limit your mobility.
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It's hard for me to figure out where I want to be. But it's definitely in New York. I feel like New York throws different challenges at you and you can be more creative.
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Secrets are never secure because they are always at risk of being found out.
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It's just as political, what you do in the bedroom is just as political as what you do in public.
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I smoke cigarettes when I write, which is disgusting, but it really helps me.
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I was never afraid on stage. That's where I was the least afraid. I could just do what I do and I had the amplification and the lights.
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There's a structure to a detective story that I can easily understand. I understand playing that particular game. It's like solving a puzzle. Or creating a puzzle.
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Every time I try to write on vacation, I fail miserably.
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I was obsessed with Agatha Christie in sixth grade.
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I feel that I'm solid at description.
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I had been going out to Orient for several years.
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An album for me as a teenager in the '70s was a fully formed concept. It was a body of work from an artist I liked or trusted or who excited me. Maybe one of the songs is really poppy and you listen to it on the radio as a hit single and then more of the world is about to find out about this artist by buying the record.
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I like to be alone, I mean, I really love to be alone more than anything else, and I don't really like to talk about myself to death, and I don't like to share too much, and I don't really have dreams of extreme fame or even extreme respect.
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One day I want to write a full-on horror book.
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I just think, as writers, especially with a book that takes years to write, you sort of wake up every morning hoping and praying that you can make it work for the day.
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I've never had a mentor. I've always wanted one. I'm actually really disappointed that nobody took my under their wing.
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There seem to be two ways of generating interest from the reader: withholding information or by telling the reader on the first page exactly what's going to happen.
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