Quote

The first horror movie I saw, in first or second grade, was My Bloody Valentine [1981], where there's a deranged killer in a miner mask stalking a small coal town.

Christopher Bollen

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Christopher Bollen
Age: 49
Born: 1975
Born: November 26
Journalist
Novelist
Cincinnati
Ohio
Horror
Killers
Saws
Grade
Second
Coal
Miner
Movie
Grades
Deranged
Small
Bloody
Miners
Firsts
Mask
Stalking
First
Town
Killer
Towns
Valentine

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The death drive is parasitic. It runs off of other drives, leeching off of them.
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There is something very romantic about the orphan figure in American literature.
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There is a value to moving more slowly through a story.
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I just think, as writers, especially with a book that takes years to write, you sort of wake up every morning hoping and praying that you can make it work for the day.
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I was never afraid on stage. That's where I was the least afraid. I could just do what I do and I had the amplification and the lights.
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I definitely don't take any of intrusions in my private life personally. You learn how to have a sense of humor pretty quickly. I honestly don't keep up on it unless it's something that would hurt someone else. I can take care of myself, that's not the problem. But it's just not fair to bring anyone else into the picture.
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It's just as political, what you do in the bedroom is just as political as what you do in public.
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I've never had a mentor. I've always wanted one. I'm actually really disappointed that nobody took my under their wing.
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I'm convinced I was the only kid ever who had a Death on the Nile [1978] movie poster and a Murder on the Orient Express [1974] movie poster on his bedroom walls.
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I have to say I do read partly for escapism. Why can't I escape and learn something?
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Going out into the country after living in the city is a loss of control.
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There seem to be two ways of generating interest from the reader: withholding information or by telling the reader on the first page exactly what's going to happen.
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It's really hard to write about art in general. But it's exceptionally hard to fictionalize art and make work that isn't a parody, or is something that could withstand critique and exist in the art world as a valuable object, or a true piece.
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When you create a fence, you keep people out, but you also limit your mobility.
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We've come under the influence of television, where in all honesty we can follow a show that could just get cancelled midway through the season and the entire plotline never resolves itself.
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If you've been in the art world for more than eight years, you realize another generation is making the exact same work as the previous generation - but treating it like it's never been done before. It becomes very cyclical very quickly.
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I was obsessed with Agatha Christie in sixth grade.
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I smoke cigarettes when I write, which is disgusting, but it really helps me.
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I really believe there is something in the nature of a democracy that naturally leads people to distrust the government, to assume because a democracy is built by people just like themselves that there must be secret plots and cover-ups and wizards behind the scenes running the machine.
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I like change. I've never really had much consistency in my life, you know, from everyday work to my living situation to whether or not I'm going to be in L.A. The one constant thing in my life is my friends and family, which is all I need
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