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My parents were great parents, but for some bizarre reason they allowed me to watch whatever I wanted on TV, we had cable. And I constantly watched horror movies.

Christopher Bollen

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Christopher Bollen
Age: 48
Born: 1975
Born: November 26
Journalist
Novelist
Cincinnati
Ohio
Whatever
Allowed
Reason
Constantly
Wanted
Horror
Great
Watches
Watch
Cable
Parents
Cables
Movies
Bizarre
Parent
Watched

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An album for me as a teenager in the '70s was a fully formed concept. It was a body of work from an artist I liked or trusted or who excited me. Maybe one of the songs is really poppy and you listen to it on the radio as a hit single and then more of the world is about to find out about this artist by buying the record.
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I was a very scared child.
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My dad liked more macho adventure books like Shogun or spy novels. My mother reads murder mysteries. In fact, so does her mother, my grandma. That's where I trace the familial line of murder mystery obsession.
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I really believe there is something in the nature of a democracy that naturally leads people to distrust the government, to assume because a democracy is built by people just like themselves that there must be secret plots and cover-ups and wizards behind the scenes running the machine.
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I was never afraid on stage. That's where I was the least afraid. I could just do what I do and I had the amplification and the lights.
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Every time I try to write on vacation, I fail miserably.
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One day I want to write a full-on horror book.
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It's hard for me to figure out where I want to be. But it's definitely in New York. I feel like New York throws different challenges at you and you can be more creative.
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The death drive is parasitic. It runs off of other drives, leeching off of them.
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If you've been in the art world for more than eight years, you realize another generation is making the exact same work as the previous generation - but treating it like it's never been done before. It becomes very cyclical very quickly.
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I feel that I'm solid at description.
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There seem to be two ways of generating interest from the reader: withholding information or by telling the reader on the first page exactly what's going to happen.
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We've come under the influence of television, where in all honesty we can follow a show that could just get cancelled midway through the season and the entire plotline never resolves itself.
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Secrets are never secure because they are always at risk of being found out.
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I'm convinced I was the only kid ever who had a Death on the Nile [1978] movie poster and a Murder on the Orient Express [1974] movie poster on his bedroom walls.
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I have to say I do read partly for escapism. Why can't I escape and learn something?
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Looking back, [R.E.M.]videos, by in large, have always been art films. I'm thinking of Losing My Religion. That's a landmark piece.
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I was obsessed with Agatha Christie in sixth grade.
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You find when you're writing a detective story that you're actually not trying to solve anything. You're trying to stop the reader from solving the puzzle.
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Safety, reputation, their lives, their friends, and their world. Writers typically try to avoid that because it's not expedient.
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