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You know, I don't support esoteric approaches to acting.

Christoph Waltz

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Christoph Waltz
Age: 68
Born: 1956
Born: October 4
Actor
Director
Film Actor
Film Director
Stage Actor
Television Actor
Theatrical Director
Vienna
Austria
Esoteric
Approaches
Approach
Support
Acting

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Becoming an actor is like becoming a father. It's not hard to become one. Making a life of it is the challenge.
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My agent is the quickest, sharpest man on earth.
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For a while, I couldn't decide whether or not I should pursue singing in the opera or acting. And I'm glad that I chose the latter because I wasn't a very good singer.
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You can't always do the extraordinary, in between you have to do the ordinary. Because if you didn't, what would constitute the extraordinary?
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I go with the most interesting thing that comes my way,I don't expect it to come from India to tell you the truth, but if it did, fine by me.
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Comedy is the result of what's happening, not what people are doing. Because if people are doing comedy. It's embarrassing. The individual elements have to be straight-faced, serious, realistic with a firm basis. What makes it comedy is a somewhat shifted way to put it together.
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I don't like to read novelizations of movies.
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If the shoe fits, you must wear it.
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You know, I don't talk about the characters that I play. Years ago, I was a little timid about it and I kind of squirmed when I was asked, 'Could you tell us something about your character.' Now with a little self-confidence that comes with the grey beard, I just flatly refuse.
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There are plenty of people over there who understand the difference. And there are plenty of people over here who understand the difference. It's still one world and it has been for a long time.
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I have always been so interested in film as a medium.
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It's a wonderful narrative device to bring someone from the outside and look through his eyes if you want to describe the absurdity and preposterous reality that is accepted amongst the ones who are inside.
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What I liked so much while shooting [a movie], I might not like anymore when I see it or vice versa. The two are connected but not on a causal level.
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Stephen Sondheim I am in awe of.
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You need the villain. If you don't have a villain, the good guy can stay home.
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I'd sort of acquired somewhat more mature perspective on what my career is and I don't...not anymore...consider fame and fortune my career. I'm not a star. I'm an actor. So in a way, what I want to do as an actor, I would consider good for my career. Does that make sense?
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By looking into more details of American history, we can make more sense of what's happening today.
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For me, personally, there is one really interesting thing. You're all a bit too young for that, but when you get to a certain level of experience, accumulation of experience you start slowly to once in a while get a whiff of the feeling, I'd love to be twenty years younger but with what I know and have experienced at this point.
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I have nothing to do with comics. I know nothing about comics. I am aware of the importance of comics, but they're not within my world. Not because I feel that I'm above it, but just that micro-surgery is not in my world either. Is that a deficit or is that an advantage?
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The villain is usually the most interesting part. But it has to be a smart thing. Just dumb cliché villains with a Russian accent and big muscles and a mean face, I don’t know. My Russian accent isn’t that great, and the muscles aren’t that big and the mean face is not enough. You know what I mean? It gets very boring. Tedious stuff.
Christoph Waltz