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You know, I don't support esoteric approaches to acting.

Christoph Waltz

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Christoph Waltz
Age: 68
Born: 1956
Born: October 4
Actor
Director
Film Actor
Film Director
Stage Actor
Television Actor
Theatrical Director
Vienna
Austria
Esoteric
Approaches
Approach
Support
Acting

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I think in Europe, movies are made like a commodity and then sold as art.
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You need the villain. If you don't have a villain, the good guy can stay home.
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I go with the most interesting thing that comes my way,I don't expect it to come from India to tell you the truth, but if it did, fine by me.
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I'm not into weapons. I'm not into cars. I'm not into explosions. I'm scared of all of that.
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What I liked so much while shooting [a movie], I might not like anymore when I see it or vice versa. The two are connected but not on a causal level.
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For me, personally, there is one really interesting thing. You're all a bit too young for that, but when you get to a certain level of experience, accumulation of experience you start slowly to once in a while get a whiff of the feeling, I'd love to be twenty years younger but with what I know and have experienced at this point.
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Mine is studying script and being very academic and trying to be important.
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For a while, I couldn't decide whether or not I should pursue singing in the opera or acting. And I'm glad that I chose the latter because I wasn't a very good singer.
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I don't say things straight into the other person's face. I kind of like to make a joke or a remark and make it digestible or just give a little comment that voices my concern, but is not meant to be a critique, but just a comment so that he understands that I am thinking.
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I don't like to read novelizations of movies.
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Facts can be so misleading, where rumors, true or false, are often revealing.
Christoph Waltz
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Ten flashing lights are a nuisance but 500 are fantastic.
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Comedy is the result of what's happening, not what people are doing. Because if people are doing comedy. It's embarrassing. The individual elements have to be straight-faced, serious, realistic with a firm basis. What makes it comedy is a somewhat shifted way to put it together.
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I had to learn how to drive a cement truck because there is a whole car chase with cement trucks, so I had to learn how to drive a cement truck. I don't like these things, but I'm not an idiot. I can do it.
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By looking into more details of American history, we can make more sense of what's happening today.
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I have always been so interested in film as a medium.
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I have nothing to do with comics. I know nothing about comics. I am aware of the importance of comics, but they're not within my world. Not because I feel that I'm above it, but just that micro-surgery is not in my world either. Is that a deficit or is that an advantage?
Christoph Waltz
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That's exactly what I'm driving at. 'Basterds' was interesting because it was, in a way, unfamiliar. I thought well, OK. Let's leave the comfort zone and just risk it. Why not? Because, exactly as you said, in a way, by taking that risk, I make up a little bit for my ignorance in the subject, or rather, the genre.
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If the shoe fits, you must wear it.
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I think Stephen Sondheim is a - and I hardly ever use this word - but this is as close as it gets to a genius.
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