Quote

One moves more slowly in heels. Walking fast is neither sexy nor engaging. Nobody notices the people who race around. If you're walking in heels, you've got time. It's much more attractive.

Christian Louboutin

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Christian Louboutin
Age: 60
Born: 1964
Born: January 7
Designer
Fashion Designer
Paris
France
Walking
Engaging
Nobody
Heels
Race
Moves
Moving
Slowly
Around
Attractive
Much
Sexy
Time
Fast
People
Neither
Notices

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When you are too specific on a target, it can drain you. Ask me where I will be when I am 60, and I will have no answer to give.
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A house is very much like a portrait. I cannot disconnect houses from people. The thought of arrangement, the curves and straight lines. It gives an indication of the character at the heart of it.
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My favorite sound is definitely mules. If it was an instrument, it's really pingthe touch of the black keys of the piano.
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The designer side of me has many ideas on how the shoes or woman should look, but the man is thinking 'would I want to see my girl in those shoes?'
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The shiny red color of the soles has no function other than to identify to the public that they are mine. I selected the color because it is engaging, flirtatious, memorable, and the color of passion.
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My mother was a huge influence on me - she was a free spirit and helped me appreciate, from a very early age, that everyone is different.
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People say I am the king of painful shoes. I don't want to create painful shoes, but it is not my job to create something comfortable. I try to make high heels as comfortable as they can be, but my priority is design, beauty and sexiness. I'm not against them, but comfort is not my focus.
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In France you cannot not have lunch. If you stopped the French from having lunch, you will have a second revolution, I can tell you this. Not going to work - it is part of the French privilege.
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There is a heel that is too high to walk in, certainly. But who cares? You don't have to walk in high heels.
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I am more feminist than feminists.
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Listen, to appeal to someone else you might put on a pair of shoes that you don't like or a dress you don't like. But there's no way you're going to put on a perfume you don't like it's too personal.
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I'd already decided I wanted to design shoes after I saw a sign in the Museum of African and Oceanic Art forbidding high heels. Well, who could resist?
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In a creative business, if you're happy, it will come out in your work. I don't see how you can be happy if you don't like the people you're working with and if they aren't a joy to have fun with.
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I like to undress women - not to dress them. You know, like Manet's 'Olympia' or Helmut Newton's photographs - naked women with shoes. This is what I am trying to do.
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Everyone wears what they feel great in, or comfortable with.
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Shoes are just a pedestal. What interests me is the power of the woman who wears them.
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Don't reject a shoe because you can't run in it. It's OK not to run.
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I never had a plan. I have to say, I'm very shocked when people start a company and say, 'In five years I want to launch a perfume, or in 10 years I want to have this.' How can you know?
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