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I'll do shoes for the lady who lunches, but it would be, like, a really nasty lunch, talking about men.

Christian Louboutin

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Christian Louboutin
Age: 60
Born: 1964
Born: January 7
Designer
Fashion Designer
Paris
France
Talking
Really
Would
Men
Lunches
Like
Nasty
Lunch
Lady
Shoes

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The stiletto is a feminine weapon that men just don't have.
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I was always shouted at by my teacher because I would draw straight on the table in the school.
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A shoe has so much more to offer than just to walk.
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When I'm drawing, I'm drawing with the light, being completely open and creative. I can't draw in the evening. I need light and I need warmth if it is a summer thing, and I need cold if it is a winter collection. The good thing is that I have houses to go to whenever I'm working. I draw according to the place.
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Shoes are just a pedestal. What interests me is the power of the woman who wears them.
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Designing is always on the mind of a designer, and as I was saying it's a sort of digestive process, so I usually keep it to myself unless I'm collaborating with someone because explaining all the things that are going on in your head can be quite exhausting, especially in the early stages of a project.
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I am very bad at drawing. Seriously. I can draw shoes. That's about it.
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What is sexual in a high heel is the arch of the foot, because it is exactly the position of a woman's foot when she orgasms... So putting your foot in a heel, you are putting yourself in a possibly orgasmic situation.
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Shoes are a mirror of what you want, what you are or what you're missing
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One thing I detest, I have to say, is when a shoe is too soft, and it's molding to the foot. This is quite disgusting. And I really, really hate incredibly long shoes, where the last is very pointy, almost like Aladdin.
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A good shoe is one that doesn't dress you but undresses you.
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The higher the better. It's more about an attitude. High heels empower women in a way.
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I like Adele, Mika, Natacha Atlas and a beautiful old record, 'An Evening with Belafonte/Mouskouri,' starring Harry Belafonte and Nana Mouskouri. What they have in common is they all have incredible voices. I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
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My father, who was a cabinetmaker, told me, 'Wood has a grain and if you go into the grain, you have beauty. If you go against it, you have splinters - it breaks.' And I took that as my view of life. You have to follow the grain - to be sensitive to the direction of life.
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My job is designing shoes. It's work that happens behind the scenes, as they say, and that suits me just fine because in general I am a shy person. But sometimes I have these extroverted outbursts.
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What was called extreme 20 years ago definitely isn't extreme anymore. When I started, I remember people saying, 'Oh my God, I can't walk in that!' It was like, three inches - they look like kitten heels now.
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People tend to fear the ghosts in their own family. You feel these family curses and think, 'If it happened to my father, it could happen to me.'
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A good pump is a silhouette, like the bone structure of the face. It's like a beautiful face with no make-up. You can cover a not-so-beautiful face with make-up, but it is just a mask - it is the same with shoes.
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Fragrance is so intimate for a lot of women - it's your essence, your identity.
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I don't follow anything online. I am rather slow on that side.
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