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I'll do shoes for the lady who lunches, but it would be, like, a really nasty lunch, talking about men.

Christian Louboutin

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Christian Louboutin
Age: 60
Born: 1964
Born: January 7
Designer
Fashion Designer
Paris
France
Talking
Really
Would
Men
Lunches
Like
Nasty
Lunch
Lady
Shoes

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Listen, to appeal to someone else you might put on a pair of shoes that you don't like or a dress you don't like. But there's no way you're going to put on a perfume you don't like it's too personal.
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My job is designing shoes. It's work that happens behind the scenes, as they say, and that suits me just fine because in general I am a shy person. But sometimes I have these extroverted outbursts.
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I would hate for someone to look at my shoe and say, 'Oh my God! That looks so comfortable!'
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I like Adele, Mika, Natacha Atlas and a beautiful old record, 'An Evening with Belafonte/Mouskouri,' starring Harry Belafonte and Nana Mouskouri. What they have in common is they all have incredible voices. I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
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I sort of don't believe in trends. I know that they exist, but what is important at the end of the day is to remain independent
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I was the youngest kid. When I was five, my sisters were 17, 19, and 21, already becoming women. I would see how different they would be around one another and around men, even my father.
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When you are too specific on a target, it can drain you. Ask me where I will be when I am 60, and I will have no answer to give.
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I don't follow anything online. I am rather slow on that side.
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Don't reject a shoe because you can't run in it. It's OK not to run.
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I wanted to be a shoe designer, but I never thought it could be a profession. But what was the alternative? Doctor? Too dirty! Air-hostess? Maybe not! Then someone gave me a book on Roger Vivier, and, cheri, instantly I knew that was it!
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When I started to work on perfume, I could not reduce the idea of a woman to one smell.
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I'm very detail oriented. Everything that takes a lot of dedication and creativity I do in the morning when there is light and I'm really concentrated.
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I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer.
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A woman tells a story with her clothes, but it's the shoe that carries her.
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People tend to fear the ghosts in their own family. You feel these family curses and think, 'If it happened to my father, it could happen to me.'
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Everyone wears what they feel great in, or comfortable with.
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When a woman buys shoes, she takes them out of the box and looks at herself in the mirror. But she isn't really looking at her shoes - she's looking at herself. If she likes herself, then she likes the shoes.
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Funnily enough, the most difficult style to do is the plain pump because it needs to look good on a variety of feet. I compare it to having a good bone structure. Make-up will make you look good, but it helps if you have a good skeleton to begin with.
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To me, the word 'decadent' is so difficult to use it's a very sensitive word, in a way.
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Designing is always on the mind of a designer, and as I was saying it's a sort of digestive process, so I usually keep it to myself unless I'm collaborating with someone because explaining all the things that are going on in your head can be quite exhausting, especially in the early stages of a project.
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