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I don't like conflicts. I'm not a competitive person at heart. To be in the middle of turmoil is boring.

Christian Louboutin

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Christian Louboutin
Age: 60
Born: 1964
Born: January 7
Designer
Fashion Designer
Paris
France
Conflict
Middle
Persons
Person
Heart
Turmoil
Like
Conflicts
Competitive
Boring

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If I could do shoes for anyone, it would be a special project for the Queen of England.
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My job is designing shoes. It's work that happens behind the scenes, as they say, and that suits me just fine because in general I am a shy person. But sometimes I have these extroverted outbursts.
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I like Adele, Mika, Natacha Atlas and a beautiful old record, 'An Evening with Belafonte/Mouskouri,' starring Harry Belafonte and Nana Mouskouri. What they have in common is they all have incredible voices. I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
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In designing shoes for myself I'm not thinking of a specific person or catwalk. I'm just not thinking of clothes at all. I'm always thinking of a naked woman, actually.
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I mean, the shoe - there is a music to it, there is attitude, there is sound, it's a movement.
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There are few plants that are ugly. It's how you use them that may not be pretty.
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I would hate for someone to look at my shoes and say, 'Oh my God! That looks so comfortable!'
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Everyone has their dates. For me, it's 1991. I can place every memory of my life either before or after this date. It's the year I became an adult. My mother died, and I created my company shortly thereafter. I definitely would not have done it if she hadn't passed away.
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Breakfast is a peaceful moment for me, so I never have the radio on, no music, no noise around. The only noise that is permitted is people's voices. It's a way for me to wake up without too much of a high speed feeling.
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When a woman buys shoes, she takes them out of the box and looks at herself in the mirror. But she isn't really looking at her shoes - she's looking at herself. If she likes herself, then she likes the shoes.
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I like to undress women - not to dress them. You know, like Manet's 'Olympia' or Helmut Newton's photographs - naked women with shoes. This is what I am trying to do.
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The stiletto is a feminine weapon that men just don't have.
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I'll do shoes for the lady who lunches, but it would be, like, a really nasty lunch, talking about men.
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I was always shouted at by my teacher because I would draw straight on the table in the school.
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My father, who was a cabinetmaker, told me, 'Wood has a grain and if you go into the grain, you have beauty. If you go against it, you have splinters - it breaks.' And I took that as my view of life. You have to follow the grain - to be sensitive to the direction of life.
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In France you cannot not have lunch. If you stopped the French from having lunch, you will have a second revolution, I can tell you this. Not going to work - it is part of the French privilege.
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When I started to work on perfume, I could not reduce the idea of a woman to one smell.
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Designing is always on the mind of a designer, and as I was saying it's a sort of digestive process, so I usually keep it to myself unless I'm collaborating with someone because explaining all the things that are going on in your head can be quite exhausting, especially in the early stages of a project.
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I hate the whole concept of the clog! It's fake, it's ugly, and it's not even comfortable!
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