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The idea of seeing everybody clad the same is not really my cup of tea

Christian Lacroix

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Christian Lacroix
Age: 73
Born: 1951
Born: May 16
Businessperson
Costume Designer
Designer
Fashion Designer
Grand Couturier
Postage Stamp Designer
Cups
Seeing
Everybody
Idea
Ideas
Really
Clad
Tea

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I'd experienced the '40s and '50s by looking at my grandparents' old clothes, books, and magazines
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There's always some kind of hidden logic.
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But some one will say that this supreme Being, who made all things, and those also who conferred on men particular benefits, are entitled to their respective worship.
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With the development of the Christian Lacroix house in Paris and my work notably for the theater, it wasn't serious doing things by half.
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There are days when I'm completely depressed and able to do only one drawing
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Going out in Paris was like going out in the '30s dressed like the Andrews Sisters. It was everything I'd seen in books at my grandparents' house, only it was our generation.
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I am always anxious to know what has happened while I've been asleep.
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For me, I am still very happy to be able to do stage design as it's an opportunity to express the extreme.
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The exchange by e-mail is more intimate than conversation - you allow yourself to say things you otherwise wouldn't.
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I think it's always difficult to reconcile the needs of art and business.
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I look for friends who make me laugh.
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But the Milanese have made bad choices, bad fashion, and bad jewelry.
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We all look for lost time.
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If I was a fashion designer just following trends or designing for celebrities, I would not be fulfilled.
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The notion of time bothers me. You look at thirty-year-old photographs and realize how the time has passed.
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French design hardly exists, except as artificial modernism.
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For me, elegance is not to pass unnoticed but to get to the very soul of what one is.
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That was the idea behind glam clubs like Seven and The New Eve. You could eat and dance to live music. To enter you had to descend a grand staircase.
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I am not nostalgic for the past. And for me, being a museum curator was a childhood dream.
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I am still in love with couture because it is just two months from drawing pad to runway so everything on the catwalk is hot from the oven.
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